Pick up from Civitavecchia port scheduled at 8 am

The Colosseum or Coliseum (/kɒləˈsiːəm/ kol-ə-SEE-əm), also known as the Flavian Amphitheatre (Latin: Amphitheatrum Flavium; Italian: Anfiteatro Flavio [aɱfiteˈaːtro ˈflaːvjo] or Colosseo [kolosˈsɛːo]), is an oval amphitheatre in the centre of the city of Rome, Italy. Built of travertine, tuff, and brick-faced concrete,[1] it is the largest amphitheatre ever built. The Colosseum is situated just east of the Roman Forum. Construction began under the emperor Vespasian in AD 72[2] and was completed in AD 80 under his successor and heir, Titus.[3] Further modifications were made during the reign of Domitian (81–96).[4] These three emperors are known as the Flavian dynasty, and the amphitheatre was named in Latin for its association with their family name (Flavius). The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators,[5][6] having an average audience of some 65,000;[7][8] it was used for gladiatorial contests and public spectacles such as mock sea battles (for only a short time as the hypogeum was soon filled in with mechanisms to support the other activities), animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.

The Circus Maximus (Latin for greatest or largest circus; Italian: Circo Massimo) is an ancient Roman chariot-racing stadium and mass entertainment venue located in Rome, Italy. Situated in the valley between the Aventine and Palatine Hills, it was the first and largest stadium in ancient Rome and its later Empire. It measured 621 m (2,037 ft) in length and 118 m (387 ft) in width and could accommodate over 150,000 spectators.[1] In its fully developed form, it became the model for circuses throughout the Roman Empire. The site is now a public park.

The Vittorio Emanuele II Monument (Italian: "Monumento Nazionale a Vittorio Emanuele II"), also known as the (Mole del) Vittoriano, Il Vittoriano, or Altare della Patria (English: "Altar of the Fatherland"), is a monument built in honor of Victor Emmanuel II, the first king of a unified Italy, located in Rome, Italy.[1] It occupies a site between the Piazza Venezia and the Capitoline Hill. It's currently managed by the Polo Museale del Lazio, the Italian Ministry of Defense and the Museo Centrale del Risorgimento Italiano (Museo centrale del Risorgimento al Vittoriano). The eclectic structure was designed by Giuseppe Sacconi in 1885. Established Italian sculptors, such as Leonardo Bistolfi and Angelo Zanelli, made its sculptures nationwide. [2] It was inaugurated on June 4th, 1911 and completed in 1935.

The Trevi Fountain (Italian: Fontana di Trevi) is a fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide,[1] it is the largest Baroque fountain in the city and one of the most famous fountains in the world. The fountain has appeared in several notable films, including Roman Holiday, Federico Fellini's La Dolce Vita, the eponymous Three Coins in the Fountain, The Lizzie McGuire Movie, and Sabrina Goes to Rome.[2]

The Pantheon from Greek "[temple] of all the gods") is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was completed by the emperor Hadrian and probably dedicated about 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.[2] The building is circular with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome.[3] The height to the oculus and the diameter of the interior circle are the same, 43 metres (142 ft). It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history, and since the 7th century, the Pantheon has been used as a church dedicated to "St. Mary and the Martyrs" (Latin: Sancta Maria ad Martyres) but informally known as "Santa Maria Rotonda".[5] The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, managed by Italy's Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio; in 2013 it was visited by over 6 million people. The Pantheon's large circular domed cella, with a conventional temple portico front, was unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, and has been copied many times by later architects.

Defined as a public space in the last years of 15th century, when the city market was transferred there from the Campidoglio, Piazza Navona was transformed into a highly significant example of Baroque Roman architecture and art during the pontificate of Innocent X, who reigned from 1644 until 1655, and whose family palace, the Palazzo Pamphili, faced the piazza. It features important sculptural and creations: in the center stands the famous Fontana dei Quattro Fiumi or Fountain of the Four Rivers (1651) by Gian Lorenzo Bernini, topped by the Obelisk of Domitian, brought in pieces from the Circus of Maxentius;[2] the church of Sant'Agnese in Agone by Francesco Borromini, Girolamo Rainaldi, Carlo Rainaldi and others; and the aforementioned Pamphili palace, also by Girolamo Rainaldi, that accommodates the long gallery designed by Borromini and frescoed by Pietro da Cortona.[3] Piazza Navona Flooded by Antonio Joli. Circa 1760 Piazza Navona has two other fountains. At the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta (1575) to which, in 1673, Bernini added a statue of a Moor, wrestling with a dolphin. At the northern end is the Fountain of Neptune (1574) also created by Giacomo della Porta; the statue of Neptune, by Antonio Della Bitta, was added in 1878 to create a balance with La Fontana del Moro. During its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century, and in 1869 the market was moved to the nearby Campo de' Fiori. A Christmas market is held in the piazza square.

he Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are Christian and art museums located within the city boundaries of the Vatican City. They display works from the immense collection amassed by popes throughout the centuries including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display,[3] and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.[4] Pope Julius II founded the museums in the early 16th century.[5] The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the visitor route through the Vatican Museums. In 2017, they were visited by 6 million people, which combined makes it the 4th most visited art museum in the world.[6][7] It is one of the largest museums in the world.