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Agnete and the Merman Statue

A haunting underwater bronze tableau beneath Copenhagen’s Højbro Bridge, where a merman and his seven sons silently plead for the return of Agnete above.

3.9

Hidden just beneath the surface of Copenhagen’s Slotsholm Canal beside Højbro Bridge, Agnete and the Merman is a haunting bronze sculpture group by Suste Bonnen. Installed in 1992, it depicts a merman and his seven sons stretching up through the greenish water, forever calling to the human wife and mother who abandoned them. Easy to miss amid grand views of Christiansborg, it rewards patient eyes with an atmospheric blend of folklore, public art and quiet melancholy in the very heart of the city.

A brief summary to Agnete and the Merman Statue

  • Højbro, Copenhagen, Indre By, DK
  • Visit website
  • Duration: 0.5 to 1 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5
  • Monday 12 am-12 am
  • Tuesday 12 am-12 am
  • Wednesday 12 am-12 am
  • Thursday 12 am-12 am
  • Friday 12 am-12 am
  • Saturday 12 am-12 am
  • Sunday 12 am-12 am

Local tips

  • For the clearest view of the figures, visit on a calm day when the canal surface is still; even light wind or boat traffic can blur the sculptures into shadowy shapes.
  • Come back after dark to see the underwater lighting, which gives the bronze a spectral glow and highlights the emotional expressions of the merman and children.
  • Read a short version of the Agnete and the Merman folk ballad beforehand so the gestures of each figure make sense when you look down into the water.
  • Use a polarizing filter on your camera or phone if you have one; it can cut surface reflections and make the submerged statues much easier to photograph.
  • Allow extra time simply to stand on Højbro Bridge and watch how changing light, clouds and passing boats continuously alter the mood of the scene below.
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Getting There

  • Metro and short walk

    From Nørreport Station, take the M1 or M2 metro two stops to Gammel Strand, then walk about 10–15 minutes through the historic center to Højbro Bridge. Metro trains run every few minutes throughout the day, and a single zone ticket typically costs around 20–25 DKK. All stations on this stretch have lifts, making the route practical for travelers with limited mobility.

  • Bus from Copenhagen Central area

    From the vicinity of Copenhagen Central Station, use a city bus serving the Slotsholmen and Christiansborg area and ride for roughly 10–15 minutes to a stop near Højbro Plads. Expect departures every 10–20 minutes during the day and a fare similar to the metro, usually in the 20–25 DKK range for a single journey. Buses can be crowded at peak commuting times, so allow extra time then.

  • Canal tour by boat

    Join a guided canal boat tour from the main docks near Nyhavn or close to the central station; most routes pass directly by Højbro Bridge and the statues below. Tours typically last 60 minutes, operate frequently in the main season and cost in the region of 100–120 DKK per adult. Boats provide a water-level glimpse of the sculpture, though reflections and waves may limit how clearly you can see the figures.

  • Walking within the old town

    If you are already in Copenhagen’s inner city, allow 10–20 minutes on foot from most central landmarks to reach Højbro Bridge. Streets here are generally flat, with mixed paving stones and pedestrian zones, and crossings are well marked. This is a straightforward, car-free way to approach the canal and combine the statues with nearby sites on Slotsholmen.

Agnete and the Merman Statue location weather suitability

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Discover more about Agnete and the Merman Statue

A submerged legend beneath Højbro Bridge

Agnete and the Merman is not the kind of artwork that shouts for attention. Set on the bed of the Slotsholm Canal beside Højbro Bridge in central Copenhagen, the entire sculpture group sits underwater. From above, you first notice indistinct shapes below the rippling surface; only as your eyes adjust do the figures resolve into a merman surrounded by seven children, all facing upward as if reaching toward you. The location is deliberately understated. With Christiansborg Palace, the old Børsen stock exchange and historic facades rising around you, it is easy to look out over the canal and never realize a complete bronze tableau lies just below. That moment of sudden discovery is part of the work’s impact, turning a busy city view into something intimate and quietly uncanny.

A folk ballad of love, faith and abandonment

The sculpture brings to life an old Danish folk ballad, “Agnete og Havmanden.” In the story, Agnete, a young woman on land, is seduced by a merman and follows him beneath the sea. There they build a family and she bears him seven sons, living for years in the underwater world. One day, the distant sound of church bells from shore pulls at her memories of life above the waves. Agnete persuades her husband to let her visit the church, promising to return. Once back among people and familiar rituals, she chooses to stay on land, leaving husband and children behind in the sea. The bronze figures in the canal embody the aftermath of that decision: the merman with arms outstretched, the children covering their faces or stretching upward, caught between longing and reproach, while Agnete herself is conspicuously absent from the scene.

Suste Bonnen’s underwater bronze composition

Created in 1992 by Danish sculptor, photographer and author Suste Bonnen, the work occupies a bronze platform on the canal floor. The group is almost life-sized, but the water and changing light distort scale and distance, making them feel alternately close and unreachable. Bonnen chose bronze both for its durability in water and for the way its surface patinates, taking on the same greenish tones as the canal. The figures are modeled with expressive gestures rather than fine detail, so that their emotions read clearly even through the shifting reflections above. Some of the children bend inward, shoulders hunched, while others stretch up on tiptoe, hands open toward the surface. The merman anchors the composition, simultaneously protective and pleading, directing the viewer’s gaze toward the missing Agnete who will never appear.

Experiencing the statues from bridge and waterfront

There is no platform at water level; the work is meant to be viewed from above. Most people encounter it by pausing on Højbro Bridge and looking straight down into the canal. On calm days, the water acts like a pane of glass and the family appears sharply, framed by submerged reeds and the stone walls of the canal. When wind or boat traffic churns the surface, the figures become flickering, half-seen silhouettes, amplifying their ghostly character. After dusk, underwater lighting illuminates the group in shifting tones that might range from cool blue-green to warmer hues. In the dark, the surrounding traffic noise drops slightly and the lit figures feel more theatrical, as if caught mid-scene in an invisible play. The contrast with the stately buildings and lively city lights around them offers a different way to experience Copenhagen’s historic center.

Folklore, symbolism and Copenhagen’s mer-heritage

Agnete and the Merman forms part of a broader tradition of merfolk in Danish art and storytelling, which also includes the famous Little Mermaid statue and other, lesser-known mermaid figures around the city. Where those often celebrate longing for another world, this work dwells on consequences: faith, broken promises and the pull between two lives. The physical separation between viewer on land and sculpture under water subtly mirrors the story’s divide between human and sea realms. Standing by the railings, you are surrounded by some of Copenhagen’s most familiar landmarks, yet the statues below introduce a note of quiet unease and reflection. It is public art designed not as a grand monument but as a hidden narrative in the city’s everyday fabric, ready to reward anyone who takes the time to stop, lean over the bridge, and look beneath the surface.

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