Glastäppan — Glasåterbruk at Lummelunda Canal

Craft and concept in repurposed glass

Glastäppan centres on the idea of glass recycling: bottles, jars and broken pieces are transformed in a small furnace into new objects that keep traces of their former life. The studio's output ranges from simple, functional items to playful, sculptural pieces, all of which display the irregularities and layered colours that come from melting mixed cullet rather than using virgin raw materials.

A compact workshop with a river-edge feel

The operation sits close to the Lummelunda canal and feels more like a rural craft outpost than a city gallery. The building is modest and unpretentious — benches, shelving with finished items, and a visible hearth area where glass is heated and reworked. You’ll notice the scent of warm sand and hot glass on cooler days and the occasional metallic ring of tools striking molten edges.

Materials, technique and visible history

Pieces at Glastäppan often show layered tones and subtle seams where labels or colourants once were; this patina is intrinsic to reuse work and part of the studio’s aesthetic. Techniques used are pragmatic and direct: melting, slumping, and cold-working to reshape salvaged glass rather than complex hot sculpting of new glass. The result is honest, economical design with a tactile, slightly rustic quality.

Character and scale

This is an intimate spot: the sales area is small, and displays are close to the workspace, so the boundary between production and retail is blurred. The interior lighting tends to be warm and focussed; natural daylight from windows and the canal-side setting gives many items a shifting translucence as you move around them. The atmosphere is quietly hands-on rather than pretentious or polished.

Local roots and sustainable practice

Glastäppan’s approach fits within a wider regional interest in craft and reuse on Gotland: modest-scale workshops, independent makers and studios dot the island, and this studio contributes by giving single-use glass a second life. The environmental logic is straightforward — diverting glass from waste streams into objects — and that practical sustainability is visible in the work itself.

What to notice while you browse

Look for colour variations, seams and subtle surface textures that tell a piece’s prehistory; many objects reward close inspection. Small production marks, pontil scars and tool impressions are part of the charm, as are tiny air pockets and irregular rims that serve as reminders you’re handling repurposed material crafted by hand.