Solo Artistic Retreat on Naoshima Island

Finding Movement and Stillness in Naoshima

Today was another day of artistic exploration on Naoshima, and I find myself increasingly drawn to the way art here interacts with nature. The island continues to surprise me, offering moments of both vibrant energy and quiet contemplation. It's a beautiful dance, one that I'm so grateful to be witnessing.

My morning began with a simple, yet satisfying breakfast at Issen. I opted for the traditional Japanese breakfast set, a delightful assortment of tofu, rice, miso, and vegetables. It was the perfect way to fuel up for the day's adventures, providing a taste of local flavors that energized me for the sights ahead. I took my time, enjoying the quiet atmosphere before the day's explorations truly began. It's funny, being here solo, I find myself appreciating these moments of solitude even more.

With breakfast done, I set out to find George Rickey's Three Squares Vertical Diagonal, 1972-82. The walk there was lovely, a gentle stroll along the coastal path. The weather was warm, with a slight breeze, typical for August here. As I approached the sculpture, I was immediately struck by its elegant simplicity. The kinetic sculpture, with its heavy iron plates swaying gracefully in the wind, created a mesmerizing effect. The minimalist design against the backdrop of the sea was incredibly serene. I spent a good while just watching it, feeling the rhythm of the island in its movements. It was a reminder that even in stillness, there is always motion, always change. I learned that George Rickey often started small, creating lines that were 14 inches long, studying their movement, and then scaling them up, adjusting his technology to maintain their function.

Art doesn't need to be locked away in galleries to be profound. It can sit by the sea, fade in the rain, glow in the sunset—and still move us, perhaps more than ever.

Experience the captivating movement of George Rickey's Three Squares Vertical Diagonal, a kinetic sculpture blending art and nature on the enchanting island of Naoshima.
Next on my list was Yayoi Kusama's Red Pumpkin. As I approached Miyanoura Port, the vibrant red shape was impossible to miss. Covered in bold black polka dots, the sculpture is striking. I stepped inside, joining other visitors marveling at the play of light and shadow within. It’s incredible how Kusama’s work transforms a simple object into a space for contemplation and joy. I read that, according to the artist, a red sunbeam searched the outer reaches of the universe only to metamorphose into a red pumpkin in the sea off Naoshima. It’s these little stories that make the art here so much more engaging.


Explore the vibrant Red Pumpkin in Naoshima, a masterpiece of contemporary art by Yayoi Kusama, set against stunning coastal views.
For lunch, I decided to try Perma_Naoshima, a ramen restaurant known for its authentic flavors. I opted for the classic shoyu ramen, and it was absolutely delicious. The broth was rich and flavorful, and the noodles were perfectly cooked. It was a comforting and satisfying meal, just what I needed after a morning of walking and art-gazing. The cozy atmosphere of the restaurant added to the experience, making me feel right at home.

After lunch, I headed to the Art Island Center. This place is a gem—a combination of art center, gallery, and bookstore. I spent a good hour browsing the shelves, discovering local publications and art literature. The staff were incredibly helpful, recommending hidden gems and sharing their passion for the island's art scene. I picked up a few books to add to my collection, excited to delve deeper into the world of Naoshima art. I learned that the Art Island Center explores the identity and resilience of the islands of the Setouchi region, using Naoshima's status to facilitate conversations about globally significant topics.


Discover the serene beauty of Art Island Center in Naoshima, where literature meets art in an inspiring setting that captivates every visitor.
As the day drew to a close, I made my way to Nagomi for dinner. Located within the Naoshima welfare center, this restaurant offers a unique dining experience. It's a casual spot, serving set meals made with fresh, local ingredients. I enjoyed a hearty meal of seasonal specialties, savoring the true essence of Kagawa's culinary heritage. The communal canteen-like environment made it easy to connect with locals, sharing stories and laughter over shared tables. It was a reminder that travel is not just about seeing new places, but also about connecting with new people. The restaurant specializes in 'Syokudo and Teishoku', casual dining and set meals respectively.

The August evenings here are lovely, with temperatures still warm and the air filled with a gentle breeze. As I walked back to My Lodge Naoshima, I reflected on the day's experiences. The kinetic beauty of Rickey's sculpture, the vibrant energy of Kusama's pumpkin, the comforting flavors of local cuisine—all these moments wove together to create a tapestry of artistic and cultural immersion. I feel so fortunate to be here, experiencing the magic of Naoshima firsthand.


Discover affordable comfort at My Lodge Naoshima, an ideal base for exploring the art-laden island while enjoying local cuisine and free parking.
Tomorrow, I plan to explore the Honmura district, visiting the Honmura Lounge & Archive and the Seaside Gallery. I’m also looking forward to trying APRON CAFE for breakfast, Chikurin for lunch, and Gumbo Hut Shioya for dinner. And perhaps, if I'm feeling adventurous, I'll check out BAR Queen's-Q Naoshima. Until then, I'll rest and recharge, ready for another day of artistic exploration.

Goodnight from Naoshima. Maybe tomorrow I will run into Jihad, it would be a nice surprise.