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Thorvaldsens Museum

A vivid 19th‑century temple to Bertel Thorvaldsen’s neoclassical art, where bold architecture, rich colour and serene sculpture form a single immersive whole.

4.5

Thorvaldsens Museum on Slotsholmen is Denmark’s first public museum building and a vivid temple to neoclassical sculpture. Opened in 1848 to house the life’s work and collections of Danish–Icelandic sculptor Bertel Thorvaldsen, it combines striking polychrome architecture, richly decorated interiors and serene light-filled galleries. Marble and plaster masterpieces, antiquities and personal objects unfold around a quiet courtyard where the artist is buried, creating an intimate portrait of a 19th-century European celebrity and his world.

A brief summary to Thorvaldsens Museum

  • Bertel Thorvaldsens Plads 2, København K, København K, 1213, DK
  • +4521687568
  • Visit website
  • Duration: 1.5 to 3 hours
  • Mid ranged
  • Environment icon Indoor
  • Mobile reception: 5 out of 5
  • Tuesday 10 am-5 pm
  • Wednesday 10 am-5 pm
  • Thursday 10 am-5 pm
  • Friday 10 am-5 pm
  • Saturday 10 am-5 pm
  • Sunday 10 am-5 pm

Local tips

  • Plan at least two hours to explore; the sequence of galleries is extensive, and the richly decorated ceilings and floors reward slow, attentive wandering.
  • Bring a light layer: some galleries can feel cool due to the thick historic walls and controlled indoor climate, even on warm days.
  • Make time for the courtyard; its Egyptian-inspired murals and the knowledge that Thorvaldsen is buried here add a poignant dimension to the visit.
  • Take advantage of any available audio or written guides to better understand the stories behind key works and the symbolism in the building’s decoration.
  • Look along the exterior walls before or after your visit to trace the long frieze showing Thorvaldsen’s homecoming procession to Copenhagen.
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Getting There

  • Public transport from central Copenhagen

    From Copenhagen Central Station, take an S-train or regional train one stop to Nørreport Station, then transfer to an inner-city bus towards Slotsholmen; the total journey typically takes 15–25 minutes. A standard adult ticket on local buses and trains within the central zones usually costs around 20–30 DKK and can be bought via ticket machines or travel apps. Services run frequently during the day, and the final walk from the nearest bus stop is short and flat, suitable for most mobility levels.

  • Walking from the old town

    From the pedestrian streets of Strøget or the area around City Hall, reaching the museum on foot generally takes 10–20 minutes, depending on your starting point. The route leads through level, paved city streets and bridges across Copenhagen’s inner canals, making it accessible for most visitors, including those with strollers. Allow extra time in wet or icy weather, as cobblestones and smooth paving can become slippery.

  • Cycling within the city

    Using Copenhagen’s extensive cycle lanes, you can typically reach the museum from most central districts in 5–15 minutes. City bikes and rental bicycles are widely available, with typical short-term hire costs starting around 20–40 DKK for a half hour, depending on provider and bike type. Be mindful that cycling is busy at peak commuter times and that you must park only in designated racks, keeping clear of building entrances and pedestrian routes.

  • Taxi or rideshare from central areas

    From central neighbourhoods such as Vesterbro, Nørrebro or Østerbro, a taxi ride to Slotsholmen generally takes 10–20 minutes, depending on traffic. Typical daytime fares within the inner city often range from about 80–160 DKK. Taxis can drop passengers close to the museum entrance, which is helpful for those with limited mobility, though brief delays are possible during rush hours or major events around the government quarter.

Thorvaldsens Museum location weather suitability

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Discover more about Thorvaldsens Museum

A sculptor’s legacy in the heart of Copenhagen

Thorvaldsens Museum stands on the island of Slotsholmen, a stone’s throw from Christiansborg Palace, as a monument to Denmark’s most celebrated neoclassical sculptor, Bertel Thorvaldsen. Completed in 1848, it was conceived from the outset as a single-artist museum – a place where his works, collections and memory could be preserved together under one roof. This makes it both Denmark’s first public museum building and one of Europe’s earliest purpose-built artist museums. Thorvaldsen spent decades in Rome, creating statues and reliefs for patrons across the continent, before returning to Copenhagen late in life. He donated his artworks and extensive collection of antiquities to the city, prompting a national campaign to fund a dedicated museum. Today, walking through the entrance, you step into the world that grew from that gift – an intimate chronicle of an artist whose influence reached from St Peter’s Basilica to royal palaces and city squares.

Architecture as a total work of art

The museum building, designed by architect Michael Gottlieb Bindesbøll, is as compelling as the collection it houses. Its low, elongated form and strong lines draw on ancient Greek temples, while the massive trapezoidal doorways and bold outlines hint at Egyptian inspirations. A long exterior frieze by Jørgen Sonne runs along the façade, depicting Thorvaldsen’s triumphant homecoming to Copenhagen with his artworks, turning the outer walls into a narrative band. Inside, the architecture becomes a carefully orchestrated backdrop for sculpture. Bindesbøll conceived the museum as a Gesamtkunstwerk – a total work of art in which building, decoration and objects form a unified whole. Each room has its own richly painted ceiling in grotesque or Pompeian style, with patterns and colours that interact with the works below. Natural light filters in from above, casting shifting shadows over marble surfaces and saturated wall tones, so that simply moving from gallery to gallery becomes a visual journey.

Masterpieces, models and antiquities

The core of the collection is an almost complete set of Thorvaldsen’s original plaster models and many finished marbles, representing the sculptures that made his reputation across Europe. Here you encounter gods and heroes from Greek and Roman mythology, dignified portraits of statesmen and poets, and Christian themes rendered with neoclassical calm and clarity. Knowing that these plasters were the prototypes for bronzes and marbles now scattered in churches and museums worldwide gives the displays a special sense of immediacy. Alongside the sculptures are rooms devoted to Thorvaldsen’s own art collection: paintings by contemporary European artists, drawings, prints and decorative objects that reveal his tastes and friendships. Cases of Greek, Roman and Egyptian antiquities show the ancient models he studied so closely. Together, these collections tell the story not only of a single artist, but of the cosmopolitan art world of the late 18th and early 19th centuries.

A courtyard of memory and symbolism

At the centre of the building lies a quiet inner courtyard, painted with vivid Egyptian-inspired motifs. Palms, animals and stylised plants climb the walls, creating an almost stage-like setting that contrasts with the cooler neoclassical galleries inside. This courtyard is more than decorative: beneath its paving stones lies Thorvaldsen’s tomb, making the museum both a place of exhibition and his final resting place. The decision to place the artist at the heart of the building underscores the museum’s dual role as a national monument and a personal memorial. Standing here, with the galleries and collections encircling you, it is easy to feel how the architecture symbolically gathers the many facets of his life and work around a single point.

Experiencing the museum today

A visit to Thorvaldsens Museum is as much about mood and atmosphere as individual highlights. The progression of nearly 100 rooms, some open to the public and others reserved for archives and staff, encourages slow exploration rather than quick touring. Ceilings invite you to look up, friezes and floor patterns reward close attention, and long vistas between doorways frame sculptures in carefully composed perspectives. Because the museum remains largely unchanged since the 19th century, it offers a rare chance to experience art in a historic display setting. It is a place where architecture, colour and sculpture interact continuously, and where the story of one artist becomes a lens onto an entire era of European classicism and cultural exchange.

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