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Unzeitgemäße Zeitgenossen: A Sculptural Commentary

A thought-provoking bronze sculpture in Leipzig's city center, the 'Unzeitgemäße Zeitgenossen' critiques outdated thinking and invites reflection on timeless societal issues, making it a must-see landmark.

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The 'Unzeitgemäße Zeitgenossen' (Untimely Contemporaries) is a thought-provoking bronze sculpture by Bernd Göbel, located on Grimmaische Straße near Augustusplatz in Leipzig. Created between 1986 and 1989 and gifted to the city in 1990, the artwork features five nude figures perched atop a beam, each embodying a character Göbel found objectionable: a city planner, a teacher, a diagnostician, an art theorist, and a rationalizer. Each figure has a golden detail representing their misguided attribute. The sculpture serves as a critique of outdated thought patterns and behaviors prevalent during its creation, inviting viewers to reflect on timeless societal issues and sparking conversations among passersby in Leipzig's bustling city center. It's a popular spot for photos and contemplation.

A brief summary to Unzeitgemäße Zeitgenossen

  • 04109, Grimmaische Str., Leipzig, Mitte, 04109, DE

Local tips

  • Take time to observe the details of each figure and consider what societal flaws they might represent.
  • Visit during different times of the day to see how the light and shadows affect the sculpture's appearance and mood.
  • Combine your visit with a stroll along Grimmaische Straße, a pedestrian zone with shops and restaurants.
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Getting There

  • Public Transport

    The 'Unzeitgemäße Zeitgenossen' are easily accessible via public transport. From Leipzig Hauptbahnhof (main train station), take any tram to Augustusplatz. The sculpture is located a short walk away, at the eastern end of Grimmaische Straße, near the Augustusplatz. Tram tickets cost approximately €2.70 for a single journey.

  • Walking

    From the Markt (market square) in Leipzig's city center, walk east along Grimmaische Straße. The sculpture will be on your right-hand side as you approach Augustusplatz. The walk is approximately 5 minutes.

  • Taxi/Ride-Share

    A taxi or ride-share from Leipzig Hauptbahnhof to the 'Unzeitgemäße Zeitgenossen' will cost approximately €8-€12, depending on traffic. The journey takes around 5-10 minutes. Ask to be dropped off at Augustusplatz near Grimmaische Straße.

  • Parking

    Parking near the 'Unzeitgemäße Zeitgenossen' is available at the Q-Park Augustusplatz. Hourly rates are approximately €3, and daily rates can reach up to €20. From the parking garage, exit onto Grimmaische Straße and walk a short distance to the sculpture.

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Discover more about Unzeitgemäße Zeitgenossen

The 'Unzeitgemäße Zeitgenossen' (Untimely Contemporaries) stands as a compelling piece of public art in the heart of Leipzig, a bronze sculpture by Bernd Göbel that sparks curiosity and contemplation. Located on the Grimmaische Straße, near the bustling Augustusplatz, this artwork has been a fixture of the city since it was gifted to Leipzig on November 14, 1990. Created between 1986 and 1989, during the final years of East Germany, the sculpture is a visual representation of Göbel's critique of the society around him. It features five nude figures balanced precariously on a beam reminiscent of a gallows. Each figure embodies a specific character type that Göbel found objectionable or emblematic of the era's flawed thinking. These figures are not heroes, but rather 'anti-heroes,' representing outdated and unproductive modes of thought. Each of the five figures is distinct, and while Göbel himself has provided some insight into their intended representations, their meanings are open to interpretation, adding to the sculpture's enduring appeal. One figure represents a city planner, another a teacher, a diagnostician, an art theorist, and a rationalizer. The figures are nude to symbolize vulnerability and lack of pretense, and each possesses a single golden attribute highlighting their particular flaw or misguided focus. The 'Pädagogikerin' (teacher) is often interpreted as a critique of rigid, dogmatic education systems. The 'Stadtgestalter' (city planner) embodies the often-misguided attempts at urban development that prioritize ideology over human needs. The 'Diagnostiker' (diagnostician) represents those who are quick to judge and label others, while the 'Kunsttheoretiker' (art theorist) satirizes the tendency to over-intellectualize and disconnect art from reality. The 'Rationalisatikerin' (rationalizer) embodies the tendency to justify flawed systems and behaviors through convoluted logic. The sculpture's location on Grimmaische Straße, a busy pedestrian zone, ensures that it is seen by countless people every day. Its presence invites passersby to pause, reflect, and engage in dialogue about the issues it raises. The 'Unzeitgemäße Zeitgenossen' is not merely a static monument; it is a dynamic work of art that continues to resonate with contemporary audiences. Over the years, the sculpture has become one of Leipzig's most photographed landmarks, a testament to its enduring appeal and its ability to capture the imagination of visitors and locals alike. It serves as a reminder of the importance of critical thinking, self-awareness, and the need to challenge outdated modes of thought. The sculpture's creation coincided with a period of significant social and political upheaval in East Germany, as the country grappled with its own internal contradictions and faced increasing pressure for reform. In this context, the 'Unzeitgemäße Zeitgenossen' can be seen as a powerful expression of dissent and a call for change. Even after the fall of the Berlin Wall and the reunification of Germany, the sculpture has retained its relevance. The issues it addresses – the dangers of dogmatism, the importance of individual freedom, and the need for critical self-reflection – remain as pertinent today as they were in the late 1980s. Bernd Göbel, the artist behind the 'Unzeitgemäße Zeitgenossen,' is a renowned sculptor who has made significant contributions to the cultural landscape of Germany. His works often explore themes of social justice, political critique, and the human condition. The 'Unzeitgemäße Zeitgenossen' is perhaps his most famous creation, a work that has cemented his place as one of Germany's leading contemporary artists. Visiting the 'Unzeitgemäße Zeitgenossen' offers a unique opportunity to engage with a work of art that is both visually striking and intellectually stimulating. It is a reminder that art can be a powerful tool for social commentary and a catalyst for meaningful dialogue. Whether you are a seasoned art enthusiast or simply a curious traveler, the 'Unzeitgemäße Zeitgenossen' is a must-see attraction in Leipzig, a city with a rich history and a vibrant cultural scene. The sculpture's open-air setting means that it can be viewed at any time of day or night, free of charge. Its central location makes it easily accessible from other major attractions in Leipzig, such as the Markt, the Thomaskirche, and the Museum der bildenden Künste. A visit to the 'Unzeitgemäße Zeitgenossen' can be easily incorporated into any walking tour of the city center. As you stand before these five nude figures perched atop their beam, take a moment to consider the messages they convey. What do these 'untimely contemporaries' represent to you? What outdated modes of thought do you see reflected in contemporary society? The 'Unzeitgemäße Zeitgenossen' is a work of art that invites you to engage, to question, and to reflect on the world around you.

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