The People's Gallery of Murals in Londonderry

A Living Chronicle of the Troubles

The People's Gallery is an evocative series of twelve large-scale murals painted on the gable ends of houses along Rossville Street in the Bogside neighborhood of Londonderry. Created between 1994 and 2008 by the Bogside Artists—brothers Tom and William Kelly and their friend Kevin Hasson—the murals document the turbulent history of the Northern Ireland Troubles, a conflict that spanned over three decades. These murals capture pivotal moments such as Bloody Sunday in 1972, when British paratroopers fatally shot unarmed civil rights protesters, and the tragic death of 14-year-old Annette McGavigan, symbolizing the innocent victims of the conflict.

Art as a Medium for Memory and Healing

Beyond their historical significance, the murals function as a communal memorial and a call for reconciliation. Painted with socialist ideals, they transcend sectarian divisions to present a universal narrative of human suffering and resilience. The artwork incorporates poignant symbolism, such as the bullet holes still visible on the Bloody Sunday mural’s wall, and the vibrant Peace mural that offers hope amidst the remembrance of hardship. The artists intended their work to be an authentic expression of the Bogside community’s experience, emphasizing justice and democratic rights.

The Bogside Artists and Their Legacy

Tom Kelly, William Kelly, and Kevin Hasson, collectively known as the Bogside Artists, began their collaboration in 1993 with supplies donated by local residents. Their work has gained international recognition for its unique blend of political commentary and artistic expression. The People's Gallery is legally copyrighted by the artists and remains a testament to their commitment to documenting local history through art. Occasionally, visitors can join guided tours led by the artists themselves, providing personal insights into the stories behind the murals.

Location and Cultural Context

Situated in the Bogside, a historically marginalized Catholic neighborhood, the murals line the former course of Mary Blue’s Burn, a river that once flowed through the area. This location is deeply symbolic, as the Bogside was the epicenter of much of the conflict and civil rights activism during the Troubles. The murals not only commemorate past events but also engage with ongoing social issues, making the gallery a dynamic cultural landmark within Londonderry.

Visitor Experience and Interpretation

Visitors to the People's Gallery can explore the murals at their own pace, absorbing the rich visual storytelling and historical context. The murals vary in style from stark black-and-white depictions reminiscent of newspaper photographs to colorful compositions symbolizing hope and peace. Informational plaques accompany the murals, enhancing understanding of the depicted events. The gallery offers a profound, immersive experience that connects art, history, and community memory.

Global Recognition and Continuing Relevance

The People's Gallery has been exhibited internationally and continues to draw attention for its powerful portrayal of conflict and reconciliation. The artists have traveled worldwide to present their work, underscoring the universal themes of justice and human rights embedded in the murals. As Northern Ireland continues to navigate its post-conflict identity, the gallery remains a vital reminder of the past and a beacon for peace and healing.