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‘The Middle Ages and the Sound Dues’ Mural, Helsingør

A vivid gable mural that turns Helsingør’s medieval tolls and ship traffic into a richly detailed open-air history lesson in the heart of the old town.

4.9

Tucked into Helsingør’s atmospheric old town on Sct Anna Gade, ‘The Middle Ages and the Sound Dues’ is a striking gable mural that turns a blank wall into a vivid history lesson. Created in 2012 by Italian artists Lara Atzori and Piercarlo Carella, it brings to life the era when ships from across Europe queued in the Øresund and paid the tolls that made Elsinore rich. Detailed figures, ships and architectural motifs echo the nearby cathedral and harbour, making this free open-air artwork a rewarding stop on any stroll between the old town and Kronborg Castle.

A brief summary to 'The Middle Ages and the Sound Dues' mural

  • Sct Anna Gade 4, Helsingør, 3000, DK
  • Visit website
  • Duration: 0.5 to 1 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5

Local tips

  • Bring a camera or phone with a wide-angle setting to capture the entire gable; the mural fills the wall and narrow street angles can be challenging.
  • Visit in the softer light of morning or late afternoon to avoid harsh shadows from nearby buildings and to better see fine details.
  • Combine the mural with a short loop past St Olai Cathedral and onward towards Kronborg Castle for a cohesive historical walk.
  • If you enjoy this piece, look out for the related murals around town that depict the shipyard era and life in the Øresund.
  • Wear comfortable shoes; the surrounding streets are cobbled and best appreciated at a slow strolling pace.
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Getting There

  • Train from Copenhagen plus short walk

    From central Copenhagen, take a regional train towards Helsingør; the journey typically takes 45–50 minutes and trains run several times per hour, with standard single tickets usually in the range of 55–75 DKK in standard class. From Helsingør Station it is an easy 10–15 minute walk through the old town on generally level, cobbled streets that are manageable for most visitors but may feel uneven for some wheelchairs and strollers.

  • Local bus within Helsingør

    If you are already in Helsingør but prefer not to walk, local city buses connect the station area with stops near the cathedral and surrounding streets in 5–10 minutes of travel time. A single-zone ticket is typically around 20–30 DKK when bought via ticket machines or transport apps, and services run at reduced frequency in evenings and on weekends. From the nearest stop, expect a short stroll through narrow cobbled lanes to reach Sct Anna Gade.

  • Car or taxi within North Zealand

    Arriving by car from elsewhere in North Zealand, driving times to Helsingør are usually 20–40 minutes from nearby towns, depending on traffic. Public parking is available around the old town and harbour, often with a mix of paid and time-restricted zones, so allow extra time to find a suitable spot and respect local regulations. From the parking areas, count on a 5–15 minute walk on historic streets to reach the mural’s gable location.

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A painted gateway into Helsingør’s maritime past

At first glance, ‘The Middle Ages and the Sound Dues’ looks like a colourful splash on a gable wall in Sct Anna Gade, but a closer look reveals a carefully composed panorama of Helsingør at its peak. Here, merchants, sailors and townspeople are woven together in a dense narrative frieze, framed by stylised arches and towers that echo the silhouettes of church spires and fortress ramparts. The mural was completed in 2012 by Italian street artists Lara Atzori and Piercarlo Carella as part of a wider project to bring large-scale art into Helsingør’s public spaces. Rather than opting for abstract forms, they chose a clear story: the age when this small Danish town became a crossroads of Northern Europe thanks to the Øresund toll, or Sound Dues, levied on every ship passing between the Baltic and the North Sea.

Stories hidden in ships, tolls and faces

Stand in front of the wall and your eye is drawn to the ships first. Some are rendered like stylised cogs and caravels, their sails full and rigging sharply outlined, a reminder that for centuries masts filled the skyline here as densely as modern cranes. Between them, robed figures and officials appear at tables and windows, suggesting the paperwork, negotiations and coins changing hands each time a captain called at Elsinore. Look longer and smaller details emerge: gestures between traders, rolls of parchment, stacked barrels, perhaps even hints of different national costumes. The artists compress what would have been a bustling, noisy waterfront into a single surface, inviting viewers to imagine creaking hulls, shouted orders and the clatter of cargo. In doing so, the mural becomes a visual index of how tolls, trade and travel shaped both the town and the wider region.

Art in dialogue with the old town streets

The mural’s position on the gable at Sct Anna Gade 4 is no accident. It sits only a short walk from the Cathedral of St Olai and the harbourfront, in streets that still follow medieval lines. The narrow cobbles, crooked facades and glimpses of church towers create a ready-made stage set; the painted scene acts almost like an extra facade, adding an imagined view of the past to the real architecture around it. Colour plays a key role. Warm earth tones and weathered blues sit comfortably beside Helsingør’s traditional plastered houses and red roofs, giving the impression that the mural has grown out of the town rather than been imposed on it. The gable format, with its triangular profile, reinforces the illusion of looking into a cutaway section of an historic building where walls have been peeled back to reveal the life that once unfolded inside.

A thread in Helsingør’s wider mural tapestry

‘The Middle Ages and the Sound Dues’ is one of several large outdoor works in Helsingør that together recount different chapters in the town’s history. Nearby murals depict the shipyard era and life in the Øresund, while another wall focuses solely on the Sound Dues themselves. Seen as part of this sequence, the Sct Anna Gade piece occupies a central role, bridging medieval trade and later industrial development. Because the mural is accessible day and night, it also subtly changes character with the weather and seasons. Low winter light emphasises its textures and brushstrokes; bright summer sun brings out saturated colour; twilight and streetlamps flatten the scene into almost graphic shapes. Returning at different times of day reveals new relationships between the painting, passersby and the life of the street.

A free open-air stop between cathedral and castle

Visiting the mural costs nothing and requires no tickets, making it an easy, informal addition to any exploration of Helsingør’s compact centre. Many visitors encounter it as a pause point on a wander between the cathedral, the harbourfront and the route towards Kronborg Castle. Others seek it out as part of a self-guided street art circuit, linking the town’s historic narratives with contemporary artistic expression. Whether you spend a few minutes or linger longer, the mural offers a concise, colourful introduction to why this relatively small town once wielded outsized influence. In a single wall, it distils centuries of maritime traffic, royal policy and local livelihoods into an image that is both accessible and layered. It rewards anyone willing to look twice and imagine the Sound thick with sails just beyond the end of the street.

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