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Kimbrerstenen in Rebild Bakker

A carved tribute to the ancient Cimbri, Kimbrerstenen stands amid Rebild’s heather‑clad hills, uniting Iron Age legend, sculpted granite and wide North Jutland skies.

4.5

Set among the rolling heather-clad hills of Rebild Bakker near Skørping, Kimbrerstenen is a monumental granite stone commemorating the ancient Cimbri tribe. Carved by sculptor Anders Bundgaard, it bears the inscription that the Cimbri set out from these parts in 120 BCE, tying the quiet Danish landscape to dramatic Iron Age migrations. Surrounded by sweeping views and open skies, it offers both a historic landmark and a contemplative pause on walks through Rebild National Park.

A brief summary to Kimbrerstenen i Rebild Bakker

  • Skørping, 9520, DK
  • Visit website
  • Duration: 0.5 to 2 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 4 out of 5

Local tips

  • Aim for late July or August to see the surrounding heather in full purple bloom, which dramatically enhances the setting around the stone.
  • Wear sturdy footwear; the approach crosses uneven, sometimes sandy slopes characteristic of Rebild Bakker’s meltwater‑formed valleys.
  • Bring a windproof layer even in summer, as the exposed hills can feel significantly cooler and breezier than nearby sheltered areas.
  • Combine your stop at Kimbrerstenen with a loop through Rebild National Park’s marked trails to experience both the monument and the wider landscape.
  • If you are interested in archaeology and the Cimbri story, pair your visit with a trip to nearby museums that interpret Iron Age history from the region.
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Getting There

  • Train and local walk from Aalborg

    From Aalborg, take a regional train toward Skørping; the journey typically takes 20–30 minutes and runs at least once an hour during the day. A standard adult single ticket usually costs around 50–80 DKK in second class. From Skørping station, expect roughly an hour of walking on mixed terrain with some hills to reach Rebild Bakker and the area around Kimbrerstenen. The walk includes forest paths and open slopes and is not ideal for wheelchairs or prams, especially in wet weather.

  • Car from Aalborg and regional towns

    Arriving by car from Aalborg or nearby towns typically takes 25–40 minutes, depending on traffic and starting point. There is public parking near the main entrances to Rebild Bakker, often free or with only modest seasonal charges; check local signs on arrival. From the parking areas, you continue on foot along waymarked trails over uneven, sometimes sandy ground to Kimbrerstenen. In peak summer and on public holidays, parking spaces can fill quickly, so early or later-in-the-day visits are advisable.

  • Bike from Skørping and surroundings

    Cyclists based in Skørping or nearby villages can reach Rebild Bakker in roughly 20–35 minutes, using local roads with moderate hills. There is no formal bike charge, though you should bring a lock and plan to leave your bicycle at designated or sensible spots near the main access points to the hills. From there, continue on foot to the monument along natural-surface paths. This option suits reasonably confident cyclists, as sections of road may have fast-moving traffic and limited shoulders.

Kimbrerstenen i Rebild Bakker location weather suitability

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  • Weather icon Mild Temperatures
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A solitary stone in the heather hills

Kimbrerstenen rises from the undulating slopes of Rebild Bakker, a single massive boulder set against a backdrop of heather, grass and broad North Jutland skies. The granite is rhomb porphyry, flecked with crystals that catch the light when the sun breaks through the clouds. Standing here, the stone feels simultaneously modest and monumental, perfectly in scale with the surrounding landscape yet clearly marked out as something deliberate and significant. Around it, the terrain falls away into dry valleys and sandy hollows formed by meltwater at the end of the last Ice Age, a reminder that both the land and the story it carries have been shaped by long, slow forces of change. Paths thread past the monument, so you can approach it quietly from different angles, letting the stone emerge gradually from the heath.

Echoes of the Cimbri and the Iron Age

The monument is dedicated to the Cimbri, an Iron Age people whose migrations brought them into conflict with the Roman Republic in the second century BCE. An inscription on the stone proclaims that the Cimbri departed from these regions around 120 years before the birth of Christ, linking this peaceful corner of Himmerland to one of antiquity’s more dramatic episodes. The wording is less a proven fact than a powerful cultural narrative, expressing a local sense of origin and belonging. For many visitors, Kimbrerstenen serves as an introduction to the area’s deeper prehistory, inviting you to imagine how these hills might have looked when the Cimbri tended their herds, buried their dead and prepared for journeys into the unknown. The surrounding countryside contains archaeological finds from the Iron Age, reinforcing the feeling that this is an old cultural landscape rather than untouched wilderness.

Anders Bundgaard’s carved bull and symbolism

The stone was created by Danish sculptor Anders Bundgaard, known for his energetic, muscular figures and national monuments. Here he carved a stylised bull, the so‑called Kimbrer bull, into the side of the boulder. The animal’s heavy head and lowered horns suggest strength, endurance and a readiness to move, all qualities long associated with the Cimbri in Danish imagination. Bundgaard used the rough texture of the granite to give the bull a sense of emerging from the rock rather than simply being placed upon it. The carving is not overly polished, allowing lichen and weathering to soften the lines over time. This slow ageing ties the artwork to the natural environment, making it feel less like an imposed sculpture and more like a feature that belongs in the hills.

Rebild Bakker’s landscape as a natural amphitheatre

Kimbrerstenen does not stand in isolation; it is framed by Rebild Bakker’s sweeping valleys and ridges, which function almost like a natural amphitheatre. From the monument you can look out over a patchwork of heather, grass and scattered trees, with the larger forests of Rold Skov lying beyond. In late summer, the heather can turn the slopes into a purple carpet, creating a vivid contrast with the grey stone. The openness of the terrain means that wind, light and weather are constant companions. On bright days, the stone is sharply lit and the views stretch far across the hills. On misty mornings or in low winter light, the scene becomes more introspective, and the monument feels like a quiet marker in a subdued, almost monochrome landscape.

A contemplative pause on walking routes

Most people encounter Kimbrerstenen as part of a wider exploration of Rebild National Park, using it as a stopping point along marked walking trails. The ground here is uneven but not extreme, and the monument is easily incorporated into both short strolls and longer circuits through the hills. There is space around the stone to sit on the grass, read the inscription and take in the views. The absence of heavy infrastructure reinforces the sense of being outdoors in a living landscape rather than in a formal memorial park. It is a place where history, geology and everyday recreation quietly overlap.

National identity and transatlantic connections

Rebild Bakker has long been associated with Danish‑American gatherings and celebrations of shared heritage, and Kimbrerstenen fits into this broader pattern of national symbolism. By commemorating the Cimbri and their journeys, the monument subtly echoes more recent stories of migration, return visits and cultural ties across the Atlantic. Standing by the stone, you can sense how a simple carved boulder can carry multiple layers of meaning: a tribute to ancient warriors, a nod to local pride in Himmerland’s past, and a marker in a landscape that continues to draw visitors from far beyond Skørping. It is both a specific historical reference and an open invitation to reflect on movement, memory and belonging.

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