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Holmegaard Værk

A living glassworks museum where towering walls of Holmegaard glass, Nordic ceramics treasures and a working hotshop keep two centuries of Danish design glowing.

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Holmegaard Værk is a vast glass and ceramics museum set in the former Holmegaard Glassworks on the edge of Holmegaard Mose in South Zealand. Here, nearly 200 years of Danish design history are told through more than 40,000 pieces of glass and 6,000 Kähler ceramics, atmospheric old furnaces, dramatic light installations and a working hotshop where glassblowers turn glowing masses into elegant art pieces before your eyes.

A brief summary to Holmegaard Værk

  • Glasværksvej 55, Holmegaard, 4684, DK
  • +4570701236
  • Visit website
  • Duration: 2.5 to 5 hours
  • Mid ranged
  • Environment icon Mixed
  • Mobile reception: 4 out of 5

Local tips

  • Plan at least half a day to fully explore the glass halls, ceramics collections, hotshop demonstrations and the surrounding glassworkers’ village without rushing.
  • Check demonstration times in advance so you arrive at the hotshop when glassblowers are active, as this is one of the most memorable parts of the visit.
  • Wear layers; some halls near the furnaces can be warm, while large exhibition spaces and the moorland outside may feel cooler.
  • Look out for the massive solidified glass block in the old tank furnace—an easy-to-miss but impressive reminder of the factory’s final production run.
  • Bring a camera or phone with plenty of battery; the towering glass wall, light installations and hotshop action offer excellent photo opportunities.
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Getting There

  • Regional train and bus from Copenhagen

    From central Copenhagen, take a regional train toward Næstved; the journey typically takes around 1 hour to 1 hour 15 minutes depending on the departure. At Næstved Station, transfer to a local bus toward Holmegaard or Fensmark, with a ride of about 15–25 minutes and a short walk at the end. A combined one-way trip using train and bus usually costs in the range of 120–170 DKK per adult, depending on ticket type and discounts. Services run regularly during the day but can be less frequent in the evening, so check return times in advance.

  • Car from Næstved town centre

    From Næstved town centre, driving to Holmegaard Værk typically takes about 10–15 minutes under normal traffic conditions. The route follows local roads through semi-rural surroundings and is straightforward to navigate. There is visitor parking near the museum, but spaces can fill during school holidays and weekends, so allow extra time at busy periods. Fuel costs are modest given the short distance, and there are no road tolls on this route.

  • Car from Copenhagen and Greater Copenhagen area

    Travelling by car from Copenhagen to Holmegaard Værk usually takes about 1 hour to 1 hour 15 minutes, depending on traffic and your exact starting point. The drive uses major motorways for most of the distance before continuing on regional roads toward Holmegaard. There are no motorway tolls, and the main expense is fuel for the roughly 80–90 kilometre journey. Parking is available at or near the museum, though it can be busier on sunny weekends and during special exhibitions.

  • Cycle from Næstved

    For those comfortable on a bike, cycling from Næstved to Holmegaard Værk is a pleasant option in good weather. The ride generally takes around 30–45 minutes each way, following local roads and cycle-friendly stretches through gently rolling countryside. The terrain is mostly flat to mildly undulating, suitable for riders with basic fitness. There is no direct cost beyond bicycle rental if needed, but bring water and be prepared for wind and changing conditions common in coastal Denmark.

Holmegaard Værk location weather suitability

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Where Denmark’s glass heritage still glows

Holmegaard Værk occupies the historic Holmegaard Glassworks, founded in 1825 beside Holmegaard Mose, where peat once fuelled the roaring furnaces. Stepping inside, you move through raw brick halls and soaring industrial spaces that still carry the patina of almost two centuries of production. The museum has transformed this disused factory into a living tribute to Danish glass, ceramics and design, while preserving the atmosphere of a working plant. The story begins with simple bottles and household containers that helped shape everyday life in Denmark. Over time, Holmegaard evolved into a design powerhouse, collaborating with leading designers to create refined stemware, vases and bowls that became staples of Scandinavian homes. Exhibitions trace this development chronologically, placing iconic pieces against the backdrop of changing tastes, technologies and social history.

Walls of glass and Nordic ceramics treasures

One of the most striking spaces is the monumental glass collection: more than 40,000 unique pieces, one of every model ever produced at Holmegaard. They rise in towering shelves up to seven metres high and forty metres wide, forming a shimmering library of colour, shape and function. Seen together, they reveal how a single factory could continually reinvent itself, from thick utilitarian jars to feather-light wine glasses and sculptural art pieces. Alongside the glass, Holmegaard Værk houses the largest collection of Kähler ceramics in the Nordic region. Around 6,000 works showcase everything from humble kitchenware to exuberant art pottery, marked with the familiar “HAK” signature. These ceramics tell a parallel story of Danish craftsmanship, charting the shift from workshop tradition to modern design brand, and offering glimpses into domestic life over nearly two centuries.

The heat of the hotshop and contemporary creativity

Holmegaard Værk is not just a retrospective; it is a working studio. In the hotshop, you can feel the heat radiating from the kilns as glassworkers gather molten glass on blowpipes, roll it across steel tables and coax it into shape with wooden blocks and metal tools. The rhythmic teamwork, the hiss of compressed air and the glow of the furnaces make this area feel like a theatre of craft. Resident artists and guest glassblowers use the historic setting as a laboratory for new ideas, producing pastel-toned champagne flutes, bold vases and experimental art objects. The museum’s lighting design and contemporary installations emphasise the drama of liquid glass cooling to a perfect form, tying the factory’s industrial past to a present-day design culture that still values hand skills and material experimentation.

Stories of workers, peat bogs and solidified fire

Interpretive exhibits and audio stories bring to life the people who worked here over generations. Former glassworkers describe night shifts at the furnaces, the camaraderie of the workshop and the physical demands of managing glowing, heavy material day after day. These personal accounts give emotional depth to the machinery and tools still scattered through the halls. The museum also highlights the site’s relationship with Holmegaard Mose, the bog landscape that supplied fuel and shaped the local community. One of the most unusual sights is the huge tank furnace where, when production ceased in 2008, 45 tons of molten glass were left to cool in place. Today this solidified mass can be viewed inside the oven, a frozen wave of once-liquid fire, underlining both the scale of former production and the finality of the factory’s closure.

Exploring the glass village and surrounding nature

Beyond the main buildings, the former glassworkers’ village offers quiet lanes and simple houses that speak of a company town built around a single industry. Walking through this area adds an intimate layer to the museum visit, illustrating how the factory shaped everyday routines, social life and local identity. The modest architecture contrasts with the spectacle of the museum interiors, grounding the story in lived experience. Close by, paths lead toward Holmegaard Mose, where open skies, reeds and wetland vegetation create a calm counterpoint to the heat and noise of the hotshop. This combination of industrial heritage, design museum and soft rural landscape makes Holmegaard Værk feel more like a small world than a single attraction, inviting you to linger, look closely and consider how materials, people and place have intertwined here for nearly 200 years.

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