Background

I Am Queen Mary

A defiant monument honoring Caribbean resistance to Danish colonialism, challenging Europe's colonial narratives.

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A powerful public monument at Vestindisk Pakhus commemorating Mary Thomas, a leader of the 1878 rebellion against Danish colonial rule in the Caribbean. Created by artists La Vaughn Belle and Jeannette Ehlers, this sculpture stands in front of a historic 18th-century warehouse that once stored goods from Denmark's colonial empire. The work challenges Denmark's narrative of benevolent colonialism and honors the resistance of enslaved and formerly enslaved people in the Danish West Indies.

A brief summary to I am Queen Mary

  • Vestindisk Pakhus, Toldbodgade 40, Copenhagen, Indre By, 1253, DK
  • Visit website
  • Duration: 0.5 to 2 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5

Local tips

  • Visit during daylight to fully appreciate the sculpture's details and read the accompanying information plaques that contextualize Mary Thomas's life and the 1878 rebellion.
  • Explore the surrounding harbor area, including the nearby Royal Cast Collection inside Vestindisk Pakhus, to understand the layered colonial and cultural histories of this waterfront district.
  • Consider visiting on March 31 (Transfer Day) when commemorative events and discussions about Denmark's colonial legacy often take place in Copenhagen.
  • Pair your visit with research into the broader history of the Danish West Indies and the experiences of enslaved and formerly enslaved people to deepen your understanding of the monument's significance.
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Getting There

  • Metro and Walking

    Take the Copenhagen Metro Line M1 or M2 to Kongens Nytorv station (approximately 10–15 minutes from central Copenhagen depending on your starting point). Exit and walk northeast toward the harbor for approximately 8–10 minutes, following signs toward Larsens Plads and the waterfront. The sculpture is located at Vestindisk Pakhus on Toldbodgade 40, directly on the harbor promenade. The walk is flat and accessible, passing through the historic Nyhavn district.

  • Bicycle

    Copenhagen's extensive cycle network makes this an ideal destination by bike. From most central locations, the journey takes 10–20 minutes depending on your starting point. Follow the harbor-side cycle paths toward Larsens Plads. Bike parking is available near Vestindisk Pakhus and throughout the harbor area. This is a popular route for both locals and visitors.

  • Bus

    Several bus routes serve the harbor area, including routes 1A, 15, and 26, which stop near Kongens Nytorv or the harbor district. Journey times range from 15–25 minutes depending on your starting location and traffic conditions. Buses run frequently throughout the day. The nearest stops are within a 5-minute walk of the sculpture.

  • Walking from Nyhavn

    If you are already in the Nyhavn area, the sculpture is approximately a 10-minute walk northeast along the harbor promenade. Follow the waterfront path, passing the Royal Opera House on your right. The route is scenic, flat, and clearly signposted. This walk offers views of the harbor and historic warehouses along the way.

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A Monument to Resistance and Reclaimed History

I Am Queen Mary stands as Denmark's first public monument dedicated to those who resisted Danish colonialism. Unveiled on March 31, 2019—Transfer Day, marking the anniversary of Denmark's sale of the Danish West Indies to the United States in 1917—this sculpture represents a watershed moment in how Copenhagen acknowledges its colonial past. Created by American artist La Vaughn Belle and Danish artist Jeannette Ehlers, the work honors Mary Thomas, one of four women who led the 1878 rebellion of plantation workers on the island of St. Croix. In the Caribbean context, "queen" was an honorary title bestowed on the formidable women who led social and political life on the plantations, and Mary Thomas earned this distinction through her courage and leadership.

The Story of Mary Thomas and the 1878 Rebellion

Mary Leticia Thomas emerged as a pivotal figure in the struggle for dignity and freedom in the Danish West Indies. In 1878, decades after the formal abolition of slavery in 1848, conditions on the plantations remained brutal and exploitative. The rebellion she helped lead, known as the Fireburn, devastated the colonial economy—half of Frederiksted burned, and numerous plantations were destroyed. The Danish authorities responded with ruthless suppression, imprisoning the four female leaders. Mary Thomas and her co-leaders were sent to a women's prison in Copenhagen, where they remained until 1887, when they were transferred back to St. Croix to serve the remainder of their life sentences. Their sacrifice and defiance became legendary in the Caribbean, yet remained largely unknown in Denmark until this monument's creation.

Confronting Denmark's Colonial Legacy

The placement of this sculpture directly in front of Vestindisk Pakhus—a warehouse built between 1781 and 1783 to store goods from Denmark's colonial enterprises—is deliberately confrontational. The building itself is a tangible reminder of the wealth Denmark accumulated through the triangular trade: exporting firearms and manufactured goods to Africa, transporting enslaved Africans to Caribbean plantations, and importing sugar, rum, and other colonial products back to Denmark. By positioning the monument here, the artists force viewers to reckon with the spatial and economic realities of colonialism. The warehouse now houses the Royal Cast Collection, a repository of plaster casts of classical sculptures, yet its colonial history cannot be erased or ignored.

Artistic Vision and Decolonial Practice

Jeannette Ehlers, a Danish artist of Afro-Caribbean descent, has been instrumental in interrogating Denmark's relationship with its colonial past through art and activism. Her collaboration with La Vaughn Belle on I Am Queen Mary represents a decolonial practice—one that centers the voices, struggles, and dignity of those harmed by colonialism rather than perpetuating the dominant European narrative. The sculpture underwent restoration before its 2019 installation to withstand Danish climate conditions, ensuring its permanence as a public challenge to historical amnesia. The work has reignited debates throughout Denmark about whether the nation should formally apologize to its former colonies and reckon more honestly with how colonial wealth shaped modern Danish society.

A Contested Space of Memory

The monument exists in productive tension with its surroundings. Vestindisk Pakhus remains a working cultural institution, housing both the Royal Cast Collection and serving as a venue for exhibitions and events. The harbor area itself has transformed from a center of colonial commerce to a public gathering space, yet the warehouse's original purpose cannot be forgotten. The sculpture invites passersby to pause and reflect on the human cost of the systems that built Copenhagen's prosperity. In the US Virgin Islands—the former Danish West Indies—the story of Mary Thomas and the 1878 rebellion is celebrated as a foundational moment of resistance, yet in Denmark, this history was largely suppressed until recent years.

Engaging with Difficult Histories

I Am Queen Mary represents a shift toward more honest public commemoration. Rather than celebrating colonial administrators or merchants, it honors those who fought against exploitation and oppression. The monument acknowledges that freedom was not granted benevolently but seized through struggle, sacrifice, and rebellion. For visitors, the sculpture serves as an entry point into conversations about how nations reckon with uncomfortable histories, how power operates across geography and time, and how art can serve as a tool for historical justice and collective memory.

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