I Am Queen Mary
A powerful harborfront monument honoring rebel leader Mary Thomas, confronting Copenhagen’s colonial past beside the historic West Indian Warehouse.
Standing in front of the former West Indian Warehouse on Copenhagen’s harborfront, **I Am Queen Mary** is a striking, larger‑than‑life sculpture honoring Mary Thomas, a leader of the 1878 labor rebellion on St. Croix in the former Danish West Indies. Created by artists La Vaughn Belle and Jeannette Ehlers, the work confronts Denmark’s colonial past and the legacy of slavery, placing a Black rebel woman where imperial power once ruled. This powerful waterfront monument blends art, memory, and political reflection in a single, unforgettable figure.
A brief summary to I am Queen Mary
- Vestindisk Pakhus, Toldbodgade 40, Copenhagen, Indre By, 1253, DK
- Visit website
- Duration: 0.5 to 1.5 hours
- Free
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Outdoor
- Mobile reception: 5 out of 5
Local tips
- Bring a light jacket: the harborfront can feel cooler and windier than the rest of the city, even on sunny days.
- Allow extra time to walk around the neighboring warehouses and read any interpretive panels to better understand the colonial context.
- Visit during early morning or late afternoon for softer light that accentuates the sculpture’s details and the brick façade behind it.
- Combine your stop here with a visit to nearby cultural institutions along the harbor to deepen your sense of Copenhagen’s historical waterfront.
- If you plan to photograph the sculpture, step back toward the water’s edge to capture both Queen Mary and the full length of Vestindisk Pakhus.
For the on-the-go comforts that matter to you
- Restrooms
- Drink Options
- Drinking Water
- Food Options
- Seating Areas
- Trash Bins
- Information Boards
Getting There
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Public transport from central Copenhagen
From the central city area, use an Inner City bus line that serves the harborfront near Amalienborg and the main waterfront axis; the ride typically takes around 10–20 minutes depending on traffic. A standard single bus ticket within the city zones usually costs in the range of 20–30 DKK when bought via ticket machines or mobile app. Buses generally run every 5–15 minutes during the day, with reduced frequency in the late evening.
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Harbor bus along the waterfront
A scenic option is the public harbor ferry service that runs up and down Copenhagen’s inner harbor and calls at piers near major cultural sites. Travel times vary between 10 and 25 minutes from central stops, depending on where you board. Tickets for the harbor bus are integrated with the regular public transport system and are usually in the 20–30 DKK range for a single ride. Services may be less frequent in winter and during bad weather, so check current timetables before planning your trip.
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Cycling from the city center
Copenhagen’s dedicated cycle lanes make it straightforward to reach the harbor area by bike in about 10–20 minutes from most central neighborhoods. You can use city bikes or standard rentals, typically costing from around 75–150 DKK for a day’s access depending on the provider and bike type. The route is predominantly flat and well signed, but be prepared for strong winds along the waterfront and follow local cycling etiquette in the busy central stretches.
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On foot via the harbor promenade
If you are already in the inner city, you can walk to the sculpture via the continuous harborfront promenade in roughly 20–35 minutes, depending on your starting point. The walk is flat and paved, but sections can be exposed to wind and occasional wet patches in bad weather. This option is free of charge and allows you to take in other historic buildings and waterfront views along the way, though it may be less suitable for visitors with limited mobility.
I am Queen Mary location weather suitability
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Clear Skies
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Mild Temperatures
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Any Weather
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Cold Weather
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Windy Conditions
Discover more about I am Queen Mary
A rebel queen on Copenhagen’s waterfront
I Am Queen Mary rises from a plinth on the quayside outside the old West Indian Warehouse, her gaze fixed out over Copenhagen’s harbor. The seated figure is monumental, with a calm yet defiant posture that immediately commands attention. At first glance, she recalls traditional statues of monarchs and military heroes, but the composition quickly subverts that expectation: this is not a king or a general, but a Black woman in work clothes, holding symbols of resistance. The sculpture was created by artists La Vaughn Belle, from the US Virgin Islands, and Jeannette Ehlers, based in Denmark. Unveiled in 2018, it is widely recognized as the first major public monument in Denmark dedicated to those who suffered under Danish colonialism. The very choice of site – directly in front of the West Indian Warehouse – underlines the link between the harbor’s mercantile wealth and the forced labor that made it possible.Mary Thomas and the Fireburn uprising
The figure portrayed is Mary Leticia Thomas, known as Queen Mary, one of four women who led the 1878 labor revolt on the Caribbean island of St. Croix, then part of the Danish West Indies. Plantation workers, formally emancipated in 1848 but still trapped in harsh conditions and low wages, rose up against the plantation system. During the rebellion, known as the Fireburn, large parts of the town of Frederiksted and surrounding plantations were set ablaze. The uprising was brutally repressed, and Queen Mary and other leaders were sentenced to life imprisonment. For a time, Mary Thomas was incarcerated in a women’s prison in Copenhagen, far from the Caribbean climate and community she knew. The sculpture reconnects those separated geographies, reminding visitors that Denmark’s colonial history is not a distant abstraction but one that once brought Caribbean rebels to these very shores.Symbols woven into the sculpture
Look closely at the details and the monument reveals layers of meaning. Queen Mary sits on a cane chair, evoking the sugarcane that once filled warehouses along this quay and underpinned the region’s wealth. In one hand she holds a torch, in the other a cutlass-like tool, direct references to the burning of plantations during the Fireburn rebellion. These objects transform everyday implements of labor into emblems of resistance and self‑determination. The artist duo combined 3D scans, historical references, and contemporary portraiture to create the work. The surface texture and clothing speak to a working woman, rather than a royal dressed in finery, while the monumental scale places her visually on par with European rulers depicted elsewhere in the city. The result is a sculpture that both belongs to the classical harbor setting and quietly challenges its visual traditions.The West Indian Warehouse as a backdrop
Behind the statue stands the long brick mass of Vestindisk Pakhus, completed in the early 1780s to serve the West India Company. The warehouse was part of the infrastructure that organized and profited from trade with the Danish West Indies, including goods produced by enslaved labor. Its solid, almost austere façade forms a historical backdrop, turning the space between building and harbor into a kind of open‑air stage for reflection. Today, the building is known for housing the Royal Cast Collection, an extensive assembly of plaster casts of classical sculptures. Inside, rows of white bodies from Greco‑Roman and European traditions fill the high warehouse spaces, while outside, I Am Queen Mary introduces another body and another history to the narrative. The juxtaposition of classical ideals and a monument to anti‑colonial struggle underscores how art, power, and memory have long been entwined here.A place for reflection and conversation
Visiting the sculpture is as much about atmosphere as it is about information. The harbor air, the low hum of passing cyclists, and the steady presence of the warehouse create a contemplative setting. There is no grand plaza; instead, the monument stands at human scale to the quay, inviting you to walk around it, linger on the steps, and consider the stories usually left out of European cityscapes. Interpretive texts and materials nearby may change over time, but the core experience remains the encounter with Queen Mary herself: a figure whose calm strength suggests both the cost of resistance and the possibility of rethinking what – and who – is commemorated in stone and metal. For many visitors, this quiet corner of the harbor becomes a starting point for exploring Copenhagen’s wider colonial architecture and history.Art, memory, and an evolving city
I Am Queen Mary is not a relic but part of an ongoing conversation about how cities remember their pasts. Its creation involved collaboration across the Atlantic, linking the contemporary communities of the US Virgin Islands and Denmark. The sculpture also connects to wider debates about monuments, public space, and whose stories are physically present in the urban fabric. As Copenhagen’s waterfront shifts from working harbor to cultural promenade, the statue anchors a more complex narrative of the city’s prosperity. It reminds passersby that the same quays that now host art installations and leisurely strolls once saw ships loading goods tied to colonial exploitation. In that sense, this single figure of a seated woman holds an entire web of histories, making the harborfront not only picturesque but also thought‑provoking.Iconic landmarks you can’t miss
I am Queen Mary
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A powerful harborfront monument honoring rebel leader Mary Thomas, confronting Copenhagen’s colonial past beside the historic West Indian Warehouse.
Larsens Pl.
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Cap Horn
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Noma
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La Banchina
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Bistro Royal
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Zane
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The Wilde Shop
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Essential bars & hidden hideouts
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TATA Cocktail Bar
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Balthazar
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1105
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Trykbar
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The Moose
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Charlie's Bar
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Bo-Bi Bar
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Gejser Bar
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K-Bar
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Nightclubs & after hour spots
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Mini Bar
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Chateau Motel
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Arch
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Mirror
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Dorsia
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Cosy Bar
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For the vibe & atmosphere seeker
- Scenic
- Unique
- Casual
- Tranquil
For the design and aesthetic lover
- Minimalist Designs
- Modern Designs
For the architecture buff
- Historic
- Landmarks
- Art & Design
- Heritage Neighborhoods
For the view chaser and sunset hunter
- Iconic Views
- Waterfront
- Sunrise Spots
- Sunset Spots
For the social media creator & influencer
- Instagrammable
- Photo Spots
- Architectural Shots
- Reel-Friendly
For the eco-conscious traveler
- Public-Transport Accessible
- Low Impact
For the kind of experience you’re after
- Cultural Heritage
- Photowalk
- Adventure Photo Shoot
- Day Trip
For how adventurous you want the journey to be
- Easy Access
Location Audience
- Family Friendly
- Senior Friendly
- Child Friendly
- Teen Friendly
- Solo Friendly
- Couple Friendly
- Solo Female Friendly
- LGBT Friendly
- Business Friendly