The David Collection

A Visionary Collector's Legacy

The David Collection emerged from the passion and foresight of Christian Ludvig David, a prominent Copenhagen lawyer and businessman born in 1878. David acquired the townhouse at Kronprinsessegade 30 in 1917, positioning it directly opposite the royal Rosenborg Castle in the heart of the city. Initially, he made his growing collection available to the public on the upper floors of his private residence. A bachelor who never married, David devoted himself entirely to art acquisition, guided by directors of the Danish Museum of Art and Design who gradually introduced him to Islamic art—a field that had attracted little scholarly attention in Denmark at the time. Upon his death in 1960, David bequeathed his entire estate, including the townhouse and his collections, to a private foundation bearing his name. This act of cultural generosity transformed a private passion into a public treasure, ensuring that future generations could access one of the world's finest art collections without financial barrier.

The Islamic Art Collection: A Global Perspective

The Islamic collection has grown to become the museum's most prominent and internationally significant holding, with over 4,000 objects representing the entire classical Islamic world. The collection spans geographically from Spain in the west to India in the east, and chronologically from shortly after Islam's emergence in the 7th century through the 19th century. This exceptional breadth encompasses all artistic media and decorative traditions: intricate textiles and carpets, masterful calligraphy and miniature paintings, metalwork inlaid with precious metals, weapons of extraordinary craftsmanship, and jewelry of refined elegance. The collection's comprehensiveness reflects the diversity and richness of Islamic cultures across centuries and continents, showcasing how rival dynasties and princely patrons fostered artistic innovation along the great trade routes. Today, this collection ranks among the top ten most important Islamic art assemblies in the Western world and stands as Scandinavia's most significant holding in its field.

European Refinement and Danish Artistic Vision

The first and second floors of the museum display the European collection, featuring exquisite 18th and 19th-century artworks presented in original period interiors. Fine furniture, French and German porcelain, Danish faience, and silverware reflect the aesthetic sophistication of the era. The collection also includes paintings by Danish, Dutch, and French masters, offering insight into the artistic currents that shaped European taste during the Enlightenment and Romantic periods. The second floor also houses the Danish early modern collection, a smaller but carefully curated group of paintings, sculptures, and ceramics created by Danish artists between approximately 1880 and 1950. Works by Theodor Philipsen, Jens Ferdinand Willumsen, L.A. Ring, and Vilhelm Hammershøi represent the pinnacle of Danish artistic achievement during this transformative period. Notably, almost all Danish artworks were acquired personally by C.L. David himself, reflecting his deep commitment to supporting contemporary Danish creativity.

Architectural Distinction and Museum Design

The building itself merits attention as a work of architectural heritage. The top floor features three rooms finished in neo-classical style with coffered ceilings, tall panels, and patterned parquet floors—woodwork that continues to captivate visitors. Remarkably, this wood originates from King Christian VI's dock, which was dismantled in 1918, lending historical resonance to the very structure that houses the art. In 1928, renowned architect Kaare Klint designed two exhibition rooms for the porcelain collection, with walls of Douglas fir and display cases crafted in Rudolf Rasmussen's workshop. These rooms now exclusively serve the Islamic collection, their intimate scale creating an ideal environment for contemplating precious objects. The museum's layout encourages visitors to follow a natural trail through the townhouses, creating a sense of discovery as one moves through interconnected galleries.

Access and Contemporary Engagement

The David Collection remains free to all visitors throughout the year, a remarkable commitment to public access that distinguishes it in expensive Copenhagen. The museum offers tablet-based audio guides in English that provide detailed information about objects in the Islamic collection, enhancing understanding without overwhelming the intimate gallery spaces. The institution continues to evolve, hosting temporary exhibitions that contextualize its permanent holdings—recent and upcoming exhibitions explore connections between Islamic art and contemporary design, as well as the influence of Ottoman Constantinople on 19th-century Danish artists. The museum's location within the Parkmuseerne museum district, adjacent to the royal gardens and Rosenborg Castle, positions it within a broader cultural landscape that rewards extended exploration.