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I Am Queen Mary Sculpture, Copenhagen

Powerful harbourfront monument honouring Queen Mary of St. Croix and confronting Denmark’s colonial past outside Copenhagen’s former West Indian Warehouse.

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In front of the historic Vestindisk Pakhus warehouse on Copenhagen’s harbourfront, the powerful "I Am Queen Mary" sculpture confronts Denmark’s colonial past. The monumental seated figure of Mary Thomas – a leader of the 1878 St. Croix rebellion in the former Danish West Indies – fuses Caribbean and Danish references, turning a quiet quay into a stark memorial to slavery, resistance, and Black presence in Danish history. This is a contemplative, visually striking stop for thoughtful travellers.

A brief summary to I am Queen Mary

  • Vestindisk Pakhus, Toldbodgade 40, Copenhagen, Indre By, 1253, DK
  • Visit website
  • Duration: 0.5 to 1.5 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5

Local tips

  • Visit during daylight or golden hour to better appreciate the sculpture’s details and the contrast with the historic brick warehouse behind it.
  • Read up briefly on Denmark’s role in the Danish West Indies and the 1878 St. Croix rebellion before you arrive to deepen the meaning of your visit.
  • Combine your stop with a walk along the harbourfront and a visit to nearby historic warehouses and cultural institutions to contextualise the site.
  • There is no shelter immediately next to the statue, so bring appropriate clothing for wind, rain, or strong sun on the exposed quay.
  • Keep noise low and avoid climbing on the base of the sculpture; treat the area as a memorial as well as an art piece.
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Getting There

  • Metro and Walk from Central Copenhagen

    From central Copenhagen, take the M3 or M4 metro to Marmorkirken or Kongens Nytorv; trains usually run every few minutes and a single-zone ticket costs around 20–25 DKK. From either station, expect a 10–20 minute walk along mostly flat pavements and harbourfront paths. The route is suitable for most visitors, but cobblestones near the warehouse can be uneven for wheelchairs or prams, especially in wet or icy conditions.

  • City Bus and Short Walk

    Several city bus lines serve the area around Amaliegade and Esplanaden within about 5–10 minutes’ walk of Vestindisk Pakhus. Typical travel times from the inner city are 10–20 minutes depending on traffic, and standard bus tickets cost roughly 20–25 DKK for a single journey. Buses run frequently during the day but less often late at night and on Sundays. Expect some cobblestones and occasional kerbs that may pose challenges for travellers with limited mobility.

  • Bicycle from Inner Copenhagen

    Copenhagen’s extensive cycle lanes make it practical to reach the sculpture by bike from most central districts in about 10–20 minutes. You can use a shared city bike or rental, with typical costs starting around 15–25 DKK for a short ride. The approach along the harbour is generally flat, but be prepared for strong winds and increased traffic at peak commuting hours. Bicycle parking is informal along the quay, so lock your bike without blocking pedestrian routes.

  • Taxi from Central Hotels

    A taxi from major central hotels or Copenhagen Central Station typically takes 10–20 minutes, depending on traffic along the harbourfront. Fares usually range from about 120–200 DKK one way, with higher prices late at night and on weekends. Taxis can set passengers down close to the warehouse, but they cannot drive directly onto the quay itself, leaving a short walk over cobblestones to reach the statue.

I am Queen Mary location weather suitability

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A Monument on the Harbourfront

The "I Am Queen Mary" sculpture rises in front of the brick bulk of the Vestindisk Pakhus, the former West Indian Warehouse on Copenhagen’s inner harbour. Here, where colonial goods once arrived from the Caribbean, a seated Black woman now commands the quay, her gaze fixed outward across the water. The contrast between the historic warehouse and the contemporary monument immediately signals that this is not a conventional statue, but a deliberate intervention in the cityscape. Created by artists La Vaughn Belle from the U.S. Virgin Islands and Jeannette Ehlers from Denmark, the work is widely recognised as the first public monument in Denmark dedicated to people who were subjected to Danish colonialism and the transatlantic slave trade. Its location in front of a building that managed trade from the Danish West Indies ties the artwork tightly to the history it addresses, transforming the area from a scenic waterfront into a site of memory.

Queen Mary and the Fire of Rebellion

The figure represented is Mary Thomas, known as Queen Mary, one of four women who led the 1878 labour uprising on St. Croix, then part of the Danish West Indies. The rebellion, sparked by continued harsh conditions decades after the formal abolition of slavery, saw plantations and parts of Frederiksted burned in protest. The revolt was brutally suppressed, and Mary Thomas and her comrades were imprisoned and eventually transported to Denmark. By placing Queen Mary at monumental scale in Copenhagen, the sculpture connects Caribbean resistance directly to the former imperial centre. Her pose, inspired partly by images of Black female resistance in the Caribbean, conveys strength and defiance rather than submissive commemoration. The work invites reflection on how freedom in the Danish West Indies was fought for from below, rather than simply granted from above.

Layers of Colonial Architecture

Behind the sculpture stands Vestindisk Pakhus, built in the early 1780s for the Vestindisk Kompagni, which managed and systemised trade from the West Indies, including goods produced by enslaved labour. The long, austere warehouse is one of several 18th-century brick storehouses lining the harbour, their rhythmic rows of windows and heavy timber structure speaking to an era when maritime commerce underpinned Copenhagen’s wealth. Today, the building also houses the Royal Cast Collection, with thousands of plaster casts of classical sculptures, adding another layer: European artistic ideals preserved inside a structure financed by colonial trade. The juxtaposition of antique white marble forms within, and the dark monumental body of Queen Mary outside, quietly underscores how art, power, and empire have intertwined in European cities.

Artistic Collaboration and Symbolism

The sculpture itself is rich in symbolic detail. Queen Mary sits on a base evoking coral stones and sugar cane, referencing both Caribbean landscapes and plantation economies. Her dress and posture draw on Caribbean traditions where the title "queen" was used for formidable women at the centre of social life on plantations. At the same time, her scale and presence echo European monuments to monarchs and generals, but here the honoured figure is an insurgent Black woman. Belle and Ehlers’ collaboration bridges Copenhagen and the Caribbean, linking histories often kept apart. The work grew out of broader artistic and academic conversations about decolonising memory in Denmark, challenging lingering narratives that present the country as a relatively gentle colonial power. Standing before the statue, you sense how it acts as both memorial and critique.

A Reflective Stop on the Waterfront

Visiting "I Am Queen Mary" is a compact yet intense experience. The site is open at all hours, with no ticket barriers or fixed visiting times, and the waterfront setting offers space to pause, read about the history in advance, and consider the long view across the harbour. On clear days, the light picks out the textures of the figure and the brickwork behind; in wind and rain the scene feels starker, underscoring the gravity of the story. It is easy to combine a stop here with nearby waterfront walks, museums, and government buildings housed in other converted warehouses. Yet even amid these attractions, the sculpture holds its own, inviting travellers to fold Denmark’s colonial past into their understanding of modern Copenhagen and to recognise the presence of Caribbean histories far from the islands themselves.

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