Frederiksberg Palace, Copenhagen Travel Guide

Frederiksberg Palace crowns one of Copenhagen’s highest points, looking out across the broad lawns, lakes and tree-lined paths of Frederiksberg Gardens. The long, low, ochre-yellow façade and dark, hipped roof give the building a powerful horizontal presence, emphasized by tall chimneys and symmetrically arranged windows. From the terrace in front of the palace, the view drops away over the gentle slope of the park, with sinuous canals and romantic bridges drawing the eye toward the city skyline.Commissioned in the early 1700s by King Frederik IV as a summer residence away from Christiansborg, the original building was relatively modest. A few years later it was expanded into the commanding H‑shaped palace you see today, inspired by Italian Baroque villas the king admired on his travels. The location was carefully chosen: high enough to catch breezes, close enough to court life in central Copenhagen, yet enveloped in greenery and ornamental gardens.

Although the palace is now the sober home of the Royal Danish Military Academy, its past is filled with royal drama. King Christian VI made it his permanent residence for a time, and the complex later became closely associated with his son, the mentally ill King Christian VII. Here, Christian VII lived with Queen Caroline Mathilde, whose relationship with the royal physician Johan Friedrich Struensee became one of the most famous scandals in Danish history.In the palace basement, hidden from the formality of court life, Caroline Mathilde’s marble bathroom and mirrored room once offered a rare private sanctuary. The building also witnessed key dynastic moments, including the birth of the future King Frederik VI in the late 18th century. When the royal family finally left in 1852, the palace’s era as an intimate royal home came to an end, and by 1869 it had been adapted for officer training, a role it still plays today.

Architecturally, Frederiksberg Palace is a textbook example of Baroque ideals translated into a northern climate. The structure’s balanced composition, central projection and rhythm of pilasters and window bays all speak to a desire for order and grandeur. Yet the warm plaster tones and relatively restrained ornamentation give it a softer, almost domestic character compared with the more exuberant palaces of southern Europe.What sets the palace apart is the way it interacts with its setting. The building stands at the top of a broad, grassed slope that functions almost like a natural amphitheatre, focusing attention on the facades above. Behind and around it, the former Baroque gardens were reshaped into an English-style landscape park, with serpentine paths, irregular tree clusters and carefully composed views back to the palace. Architectural features such as the Chinese Summerhouse and the Apis Temple punctuate the greenery, adding an exotic note to the scene.

The gardens you see spreading out from the hill began in the early 18th century as rigidly formal parterres. Around the turn of the 19th century, they were transformed into a landscape garden in the English style, echoing the changing tastes of the age. Straight avenues softened into curving paths, and ornamental canals were reshaped into apparently natural lakes and streams.As you wander the lawns below the palace, you encounter shaded groves, open meadows and quiet waterside stretches inhabited by ducks and herons. Sightlines are carefully choreographed so that the palace’s yellow bulk appears and disappears among trees, reminding you that this is not wild countryside but a designed environment. Near the main entrance, horticultural displays and carefully curated planting beds underline the site’s long link with garden design and plant collecting.

Because the building serves as the Royal Danish Military Academy, interior access is usually restricted to occasional guided tours, often held on specific Saturdays outside summer and winter breaks. These tours reveal ornate rooms, a Baroque chapel and historical spaces associated with the 18th‑century royal residents, but require advance planning and involve many stairs.Even without stepping inside, a visit rewards you with a rich sense of place. The approach up the hill, the sweep of the terrace, and the interplay between palace and park convey centuries of royal ambition, personal drama and evolving landscape design. With Copenhagen Zoo on one side and the more wooded Søndermarken park on the other, Frederiksberg Palace forms the dignified, historical anchor of a wider green district that many travelers weave into a relaxed half‑day outdoors.