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The Little Mermaid, Copenhagen

Copenhagen’s most famous statue: a small, wistful mermaid on a harbour rock, balancing Hans Christian Andersen’s fairy tale melancholy with maritime charm.

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Perched on a granite boulder along Copenhagen’s Langelinie waterfront, The Little Mermaid is a small bronze statue with outsized fame. Unveiled in 1913 and inspired by Hans Christian Andersen’s 1837 fairy tale, Edvard Eriksen’s sculpture depicts a wistful mermaid caught between sea and shore. Just 1.25m tall, she has become an enduring symbol of Copenhagen’s maritime character and literary heritage, drawing visitors to this breezy harbour promenade at all hours of the day.

A brief summary to The Little Mermaid

  • Langelinie, København Ø, København Ø, 2100, DK
  • Duration: 0.5 to 1 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5

Local tips

  • Arrive early in the morning or later in the evening to avoid the heaviest crowds and to photograph the statue in softer, more flattering light.
  • Stay on the quay and nearby rocks rather than climbing onto the statue itself; slippery stones and low barriers make it unsafe and damage the bronze.
  • Combine your visit with a walk through Kastellet fortress and along the Langelinie promenade for a more rewarding waterfront outing.
  • In windy or cold weather, the exposed harbour can feel much chillier than the city centre, so bring an extra layer and gloves outside of summer.
  • If mobility is a concern, use the level promenade path; the closer rocks are uneven and can be difficult for prams, wheelchairs or anyone unsteady on their feet.
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Getting There

  • Metro and bus from central Copenhagen

    From central Copenhagen, take the M3 Cityringen metro to Østerport Station, then transfer to a harbourfront bus toward Langelinie and alight near Kastellet. The combined journey typically takes 15–25 minutes, with frequent departures throughout the day. A standard adult single ticket for the necessary zones usually costs around 20–30 DKK when bought via machines or transport apps. Services run year-round, but expect reduced frequency late at night and on some holidays.

  • Harbour or canal boat tour

    Many canal and harbour boat tours departing from inner-city quays include a slow pass by The Little Mermaid, allowing you to view the statue from the water. Tours generally last 60–90 minutes in total, with the mermaid forming one stop on a wider circuit of harbour sights. Prices for shared boat tours are commonly in the range of 80–120 DKK per adult, with discounts for children. Boats operate in most weather, though services can be reduced in winter and on days with high winds or ice.

  • Bicycle from the city centre

    Copenhagen’s cycle-friendly streets make it easy to reach Langelinie by bike from areas such as City Hall Square or Nyhavn in about 10–20 minutes, depending on your starting point. You can use personal bicycles or short-term rental and city bike schemes, which often charge either a per-minute rate or around 75–150 DKK for a day’s access. Dedicated bike lanes cover the entire route, but the final stretch along the waterfront can be busy with pedestrians, so slower, cautious riding is advisable.

  • On foot via the harbour promenade

    If you are already near Amalienborg Palace or Nyhavn, you can reach The Little Mermaid as part of a longer waterfront walk. Expect a pleasant, mostly level stroll of roughly 20–40 minutes through residential streets, parkland and harbour promenades. The route is paved and step-free, but exposed to wind and rain, so waterproof clothing and comfortable shoes are recommended outside the summer months. There is no cost to walk, and the path remains accessible throughout the year, although it may be slippery in icy conditions.

The Little Mermaid location weather suitability

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A quiet bronze figure at the water’s edge

The Little Mermaid sits poised on a rough granite rock, just offshore from the Langelinie promenade in Copenhagen’s harbour. At 1.25 metres tall, the bronze figure is strikingly modest in size, her smooth surface contrasting with the weathered stone beneath her. From the path, you see her turned slightly toward the city, tail tucked around the rock, gaze fixed somewhere between the quay and the open water beyond. The harbour setting is part of the statue’s character. Ferries, harbour cruises and naval vessels pass in the distance, while joggers and cyclists slip along the promenade behind you. On clear days the water glints around her, and in winter she can look almost austere against the grey waves. However busy the surroundings, there is a stillness to her pose that invites a pause.

From fairy tale page to city symbol

The statue is rooted in Hans Christian Andersen’s 1837 story about a young mermaid who longs to join the human world, sacrificing her voice and her underwater life for love. Rather than illustrating a single scene, sculptor Edvard Eriksen chose to capture the moment of transformation: the mermaid in mid-shift from tail to legs, balanced between two realms. Her expression is subdued rather than jubilant, hinting at the bittersweet ending of Andersen’s tale. Commissioned by brewer and art patron Carl Jacobsen after he was captivated by a ballet adaptation, the work was unveiled in 1913 and gifted to the city. The face is said to be based on ballerina Ellen Price, while Eriksen’s wife, Eline, modeled for the body. Over time, this literary tribute has taken on a broader role as shorthand for Copenhagen itself, appearing on everything from tourist brochures to postage stamps.

Endurance through storms and scandals

For all her fragile appearance, The Little Mermaid has proved remarkably resilient. Throughout the twentieth and twenty-first centuries she has been the focus of pranks, political statements and acts of vandalism, including decapitations, loss of an arm and even being blown from her rock and into the harbour. Each time she has been carefully restored and returned to her original perch at Langelinie. These episodes have become part of the statue’s modern story, reflecting Denmark’s tradition of open public space and free expression, as well as the challenges of safeguarding a small, accessible artwork that attracts global attention. Today, low barriers and nearby signs gently discourage climbing while still allowing close views from the shore.

A compact stop on a broader harbour walk

Visiting The Little Mermaid is usually a brief but memorable pause within a wider exploration of the waterfront. The immediate experience is simple: a short stroll along the quay, a cluster of cameras, the sound of waves against stone. Yet the statue’s location places you within easy walking distance of the star-shaped Kastellet fortress, the cruise terminals and leafy waterfront parks. Many travellers choose to time their visit for early morning or late evening, when the promenade is quieter and the soft light plays across the bronze. Others encounter her as a stop on a harbour cruise, seeing the sculpture from the sea rather than the shore. However you arrive, the contrast between her global fame and her actual scale is often what lingers.

Details worth noticing up close

Spend a few extra minutes and the craftsmanship reveals itself. The transition from scales to skin, the curve of shoulder and back, and the subtle turn of the head all convey a sense of introspection rather than spectacle. Weathering from more than a century outdoors has given the bronze a varied patina, with highlights where countless eyes – and once, too many hands – have been drawn. Around her, the low rocks and lapping water make framing photographs both tempting and slightly challenging. Stepping back, you can include the harbour, passing boats or the distant city in your shot; move closer, and the statue becomes an intimate portrait. Even in a city rich with grand castles and bold contemporary architecture, this small figure continues to hold her own.

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