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Green George by Thomas Dambo (Troll No. 50)

A towering recycled-wood troll at Christiania’s entrance, Green George blends street art, sustainability and playful storytelling in the heart of Copenhagen.

4.5

Green George is a giant recycled-wood troll by Danish artist Thomas Dambo, sitting at the lively entrance to Freetown Christiania in central Copenhagen. Cross-legged beneath a colourful mural reading “the world is in our hands”, this gentle giant embodies Christiania’s creative spirit and Denmark’s focus on sustainability. It is an easy, free stop where urban street art, countercultural history and playful public sculpture all meet in one compact, photogenic corner.

A brief summary to Green George af Thomas Dambo - Trold nr. 50

  • Sydområdet 30, Copenhagen, København K, 1440, DK
  • +4553834853
  • Visit website
  • Duration: 0.5 to 1.5 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5
  • Monday 12 am-12 am
  • Tuesday 12 am-12 am
  • Wednesday 12 am-12 am
  • Thursday 12 am-12 am
  • Friday 12 am-12 am
  • Saturday 12 am-12 am
  • Sunday 12 am-12 am

Local tips

  • Visit in the morning or late afternoon to enjoy Green George with a little more space before Christiania gets busier.
  • Bring a camera or phone with a wide-angle lens; the troll, mural and surrounding street art make for striking photos in a tight space.
  • Wear sturdy shoes and be prepared for an outdoor, urban setting with uneven ground and changing weather conditions.
  • Combine your visit with a wider stroll through Christiania to see more community-built art, murals and unconventional architecture.
  • Remember that the troll is made from scrap wood; avoid climbing on the sculpture so it can be enjoyed safely by future visitors.
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Getting There

  • Metro and Walk from Central Copenhagen

    From central Copenhagen, take the M1 or M2 metro line to Christianshavn Station; trains run every few minutes and the ride is about 3–5 minutes from Kongens Nytorv. A standard single-zone ticket costs roughly 20–25 DKK and is valid on metro and buses. From Christianshavn it is around a 10–15 minute urban walk on paved paths and sidewalks to Christiania’s main entrance, suitable for most visitors but less comfortable for those with limited mobility in bad weather.

  • City Bus from Inner City

    Several city bus lines link the inner city with the Christiania area in roughly 10–20 minutes, depending on traffic and starting point. Use a standard 2-zone ticket or travel card; expect to pay about 20–25 DKK for a single ride. Buses generally run every 6–15 minutes during the day, with reduced frequency evenings and weekends. From the nearest stops it is a short, level walk along busy streets into Christiania where Green George sits near the entrance.

  • Bicycle from Central Copenhagen

    Cycling is one of the most flexible ways to reach Green George from anywhere in central Copenhagen, typically taking 10–20 minutes along flat, well-marked bike lanes. You can bring your own bike or rent a city bike for around 60–100 DKK for a few hours, depending on provider and season. Traffic is generally bike-friendly but can be busy at peak hours; use lights and reflective gear in low light and be aware that cobblestones and tram tracks in some sections require extra care.

Green George af Thomas Dambo - Trold nr. 50 location weather suitability

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A gentle giant at Christiania’s gateway

Green George sits just inside the entrance to Freetown Christiania, instantly signalling that you are stepping into one of Copenhagen’s most unconventional neighbourhoods. The troll is a towering figure made from rough planks and offcuts, yet his expression is open and calm, with a broad wooden face that feels more curious than threatening. Seated cross-legged, he occupies a compact gravel forecourt framed by walls, paths and small buildings, so you can walk right up to him and examine each recycled panel and bolt. Around him, Christiania hums with movement: bikes rattling over cobbles, low music drifting from bars, the murmur of conversations in many languages. Green George acts as both guardian and greeter, an oversized character that invites you to slow down, look up and ease into the area’s relaxed, alternative rhythm.

Recycled art with a clear message

Danish artist Thomas Dambo created Green George in 2019 as part of a wider series of giant trolls built from discarded materials. This sculpture was assembled from scrap wood sourced in Christiania itself, turning pieces that were destined for the bin into a permanent artwork. Bolted together into thick fingers, long legs and a broad torso, every board and beam on George’s body once had another life, whether as a pallet, a fence panel or a dismantled structure. Behind him rises a vivid mural proclaiming “the world is in our hands”, painted in collaboration with local street artist Rasmus Balstrøm. The slogan and the troll’s cupped palms work together: George appears to cradle a fragile future, reminding visitors that waste can be reimagined and resources cared for. The whole corner becomes an open-air lesson in circular thinking, delivered with humour rather than lecture notes.

Part of a worldwide troll-hunting fairytale

Green George is Troll No. 50 in Dambo’s ever-growing “Trail of a 1000 Trolls”, a loose global network of giant sculptures hidden in forests, meadows, beaches and city edges. Many of his works require maps and hikes to find, but George is deliberately easy to visit, a central-city ambassador for the broader troll universe scattered across Denmark and far beyond. While the countryside trolls usually lie under bridges or peer out from woodland clearings, George’s urban setting gives him a different character. He is surrounded by graffiti-covered walls, improvised structures and community-made art, yet he clearly shares their DIY ethos. For travellers who do not have time to roam the suburbs in search of the Six Forgotten Giants, meeting Green George offers a compact taste of Dambo’s fairytale world.

Christiania’s creative backdrop

Freetown Christiania has been self-governed since the early 1970s, known for its social experiments, handmade houses and a strong spirit of autonomy. Green George fits neatly into this landscape of workshops, galleries and improvised gardens. Standing in front of him, you might notice the smell of woodsmoke, the clink of tools from nearby studios, or glimpses of colourful murals in every direction. The troll’s rough edges echo the neighbourhood’s patchwork architecture: reclaimed bricks, timber offcuts and painted metal stitched into dwellings and venues. This context is crucial to his charm. Without Christiania around him, George would be a clever piece of sculpture; within it, he becomes a character in a much bigger story about community, creativity and alternative ways of living.

A compact, photogenic stop in the city

Although Green George is large, the immediate area is small and intimate. Visitors usually approach along a busy path, suddenly finding the troll framed by the mural and low buildings. There is enough space to step back for full-body photos, but you are never far from his huge wooden hands or the grain of his recycled boards. The sculpture is outdoors and accessible at all hours, making it easy to weave into a day of exploring Copenhagen’s canals, historic streets and waterfront. There is no ticket, no queueing system and no set route: you simply wander in, spend as long as you like, then continue deeper into Christiania or back toward the harbour. For many, this brief encounter with a gentle wooden giant becomes a memorable highlight of the city, precisely because it feels so informal and human-scaled.

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