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Skyggen, Rejsekammeraten og Improvisatoren – The H.C. Andersen Trinity

A towering, threefold portrait of Hans Christian Andersen that greets you outside Odense Station with colour, symbolism and quietly dramatic storytelling.

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Rising beside Odense’s busy railway hub and the greenery of Kongens Have, the eight‑metre sculpture “Skyggen, Rejsekammeraten og Improvisatoren” forms a striking, threefold portrait of Hans Christian Andersen. Created in 2005 by Danish artist Bjørn Nørgaard, the work weaves together figures and motifs from Andersen’s tales into a bold, contemporary monument. With its colourful, symbolic surfaces and slightly surreal forms, this outdoor artwork invites you to pause, circle around it and slowly decode how shadow, traveller and improviser capture different sides of Denmark’s most famous storyteller.

A brief summary to Skyggen, rejseskammeraten og improvisatoren

  • Østre Stationsvej 8, Odense, Odense C, 5000, DK
  • Visit website
  • Duration: 0.25 to 1 hours
  • Free
  • Environment icon Outdoor
  • Mobile reception: 5 out of 5

Local tips

  • Walk a full circle around the sculpture and change your distance several times; details and figures appear and disappear depending on your viewing angle.
  • Combine your visit with a stroll through adjacent Kongens Have for calmer views of the monument framed by trees and lawns.
  • Visit in early morning or late afternoon when the low sun casts strong shadows that echo the “Skyggen” theme and bring out the relief work.
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Getting There

  • Train and short walk

    Arrive at Odense Station on a regional or intercity train; services from Copenhagen and Aarhus typically take 1.5–2 hours and run at least once an hour during the day, with standard second‑class fares usually ranging from 200–350 DKK depending on time of booking. From the station concourse it is a brief, level walk across the station square to the sculpture, suitable for wheeled luggage and mobility aids.

  • City bus from within Odense

    Most city bus routes in Odense converge at the stops around Odense Station, making the sculpture easy to reach from neighbourhoods such as Vollsmose, Tarup or Bolbro. Typical journey times within the city range from 10–25 minutes, and a single adult ticket generally costs about 20–30 DKK, with tickets available from machines or mobile apps. Buses are low‑floor, offering step‑free access for wheelchairs and prams.

  • Bicycle via central Odense cycle network

    Odense has an extensive network of cycle lanes leading into the centre from residential districts and university areas, and the station precinct is integrated into this network. Depending on your starting point, cycling to the sculpture usually takes 10–25 minutes at a moderate pace. Standard city bikes or shared bikes are sufficient, but you should be prepared for busy traffic close to the station and use designated cycle lanes where available.

  • Taxi from suburban Odense

    From outer districts such as Hjallese or Sanderum, taxis provide a direct option to the station square, typically taking 10–20 minutes depending on traffic. Daytime fares for such inner‑city trips usually fall in the 120–220 DKK range, with higher prices in late evenings and on weekends. Drop‑off is possible near the station entrance, leaving only a short, level approach to the sculpture.

Skyggen, rejseskammeraten og improvisatoren location weather suitability

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A bold welcome to Andersen’s city

Standing on the plaza opposite Odense Station, where trains, buses and pedestrians flow in all directions, “Skyggen, Rejsekammeraten og Improvisatoren” immediately catches the eye. The sculpture, around eight metres tall, rises between modern station buildings and the formal lawns of Kongens Have, acting as a gateway between everyday commuting and the imaginative world of Hans Christian Andersen. Its vertical presence and unusual forms create a landmark you can spot from several angles as you approach the square. Because the work is free to visit and always accessible, it naturally becomes part of the city’s daily rhythm. Office workers pass it on their way to trains, students gather beneath it, and travellers often encounter it as their first cultural impression of Odense. The location near the park softens the urban setting, giving you space to step back and take in the full composition.

A threefold portrait of Hans Christian Andersen

The subtitle of the work – “et treenigt portræt af H.C. Andersen” – describes its core idea: three different aspects forming one portrait. The “Shadow” refers to Andersen’s darker, more psychological side, inspired by his tale about a scholar and his selfish, detached shadow. The “Travel Companion” hints at his lifelong journeys across Europe and his habit of transforming observations into stories. The “Improviser” evokes his public persona: performing, telling stories aloud and reshaping them on the spot. Rather than sculpting a realistic figure, Nørgaard translates these roles into symbolic shapes and layered imagery. As you move around the piece, different elements seem to step forward: a commanding figure here, a more fragile silhouette there, playful details in another corner. The work encourages slow looking, inviting you to consider how one person can contain both light and dark, wanderer and performer.

Materials, colours and hidden references

Bjørn Nørgaard is known for mixing materials and references, and this sculpture is no exception. Surfaces of cast metal, stone and vivid colours play against each other, catching changing light and weather. The textures shift from polished to rough, suggesting that Andersen’s world was never entirely smooth; his tales often balance beauty with cruelty, humour with melancholy. If you look closely, you may spot allusions to specific stories – a dancer’s pose recalling “The Little Dancer,” a suggestion of theatrical costume, or forms that feel like stage props mid‑performance. These details are not labelled; deciphering them becomes part of the experience. The piece behaves almost like an Andersen tale itself: familiar at first glance, then increasingly complex the longer you stay with it.

The artist behind the monument

Created in 2005, during global celebrations of Andersen’s bicentenary, the sculpture reflects both local pride and contemporary Danish art. Bjørn Nørgaard, a prominent figure in Denmark’s art scene since the late 1960s, often places his works in public spaces and enjoys sparking conversation. Here he avoids nostalgic illustration and instead offers a modern, layered tribute that can stand in dialogue with Odense’s other Andersen monuments. By situating the monument in a busy transport hub, the artist and city underline Andersen’s international reach. The writer who once travelled as a curious guest across Europe now appears as a permanent, towering presence greeting visitors in his home town. For locals, the work quietly reminds them that they share their daily routes with a globally known literary heritage.

Experiencing the sculpture up close

One of the pleasures of this site is how approachable it is. There is no barrier or ticket; you can walk right up, stand under projecting forms, or sit nearby in the park and watch how others react to it. From one viewpoint the composition looks almost orderly; from another it seems fragmented and improvisational, befitting its title. Different times of day reveal different moods. Morning light outlines the contours against the station, while late afternoon sun warms the colours and throws long shadows that echo the theme of the piece. On overcast days, the sculpture feels more introspective, its surfaces subdued, encouraging closer inspection. In any weather, it rewards patience: the longer you look, the more you notice that this is less a static statue and more an ongoing conversation between Andersen’s stories, Nørgaard’s imagination and the city that surrounds them.

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